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...report under deadline pressure in any medium. That burden was only partially eased by the White House decision to hold three briefing sessions starting on Friday, Dec. 7, about 24 hours before the official release of the information. Presidential advisers, using charts and pointers to explain Nixon's labyrinth in cash flow and purchases, unloaded enough figures to gag a roomful of accountants. Editors for the most part followed suit, publishing an overwhelming array of disparate stories and arcane tables. The Milwaukee Journal and Miami Herald, for example, presented a kaleidoscope of summaries, texts, wire-service rundowns and assorted...

Author: /time Magazine | Title: The Press: Counting Nixon's Money | 12/24/1973 | See Source »

...dramatic genius. Yet the in spired lunacy of France's Georges Feydeau merits no lesser accolade. Some critics maintain that he wrote the same play 39 times in 35 years (1881-1916). That is only half-true. Feydeau's plots are like the Minotaur's labyrinth, except that they are apoplectically funny. One is led on and on with a zany Cartesian logic, but one can never retrace one's steps and relate the story coherently...

Author: /time Magazine | Title: The Theater: L'Amour, the Merrier | 12/17/1973 | See Source »

...drowned in a pond on their country property. Leaving their surviving son in school, the Baxters depart for Venice, where John is restoring a 16th century church. The movie gives a compelling sense of the city not as a romantic tourist spot, but as a cold, purgatorial place, a labyrinth full of mute threat. It is, as one character describes it, "like a city in aspic at a dinner party where all the guests are dead and gone...

Author: /time Magazine | Title: Cinema: Second Sight | 12/10/1973 | See Source »

Resistant Labyrinth. Though most are content, not all the Marlborough artists have stayed with Lloyd. Italian Sculptor Gio Pomodoro broke away "because, in five years, Mr. Lloyd had set foot in my studio twice. I don't like that kind of rapport, abstract and unconnected with any of my problems...

Author: /time Magazine | Title: Art: Artfinger: Turning Pictures into Gold | 6/25/1973 | See Source »

...ahead of the present and were looking back on Times Square from a vantage point as remote in time from it as ours is from ancient Greece. The neons still work, but they do so with fitful spareness; a cunningly formed squiggle lights up here or there, or a labyrinth of reversed and superimposed red letters glows inside a dark plastic box. They spell AUTOMAT, but in fact they defy reading. The signs have ceased to signify. They are fragments-not in the sense of being broken, but in the "historical" sense of archaic fragments: the illegible pictograph, the stone...

Author: /time Magazine | Title: Art: Mysteries of Neon | 6/4/1973 | See Source »

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