Word: labyrinthes
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Dates: during 2000-2009
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...grown from its place as the most influential fall film festival to the most influential film festival, period, thanks to something rarer than its timing. Toronto boasts a festival oddity: "A semi-normal audience," says Picturehouse president Bob Berney, who is bringing The Orphanage, directed by Pan's Labyrinth director Guillermo del Toro's protégé, Juan Antonio Bayona. Unlike Cannes and, increasingly, Sundance, Toronto saves lots of tickets for civilians, who buy the majority of the more than 300,000 tickets each year. And though hotel and restaurant prices have risen in recent years...
...Matthews and Pearl Jam played in the 1990s, there was one sure path to a sellout: team up with Ticketmaster. Fans would line up outside record stores for tickets processed by Ticketmaster or call one of Ticketmaster's phone banks to score seats. No other distributor had the worldwide labyrinth of retail partnerships and phone outlets to move millions of tickets in minutes. And they charged for it--as much as $15 on a $50 ticket. But the music industry, if you hadn't noticed, isn't quite what it used to be. Just as personal computers are replacing record...
...Venezuelan media report that Villa del Cine is also planning to produce a film version of Gabriel Garcia Marquez's historical novel about South American independence hero Simon Bolivar, The General in His Labyrinth. Meanwhile, critics are denouncing Chavez's move to revoke RCTV's license as another Castro-style authoritarian step to snuff out freedom of expression, following recent legislation that criminalizes slander against public officials. Chavez's backers insist that Venezuela is still replete with privately owned media that openly criticize him, and argue that his move against RCTV is justified because the network openly backed a failed...
...attached itself to The Orphanage, a Spanish thriller written by Sergio G. Sanchez, directed by first-timer Juan Antonio Bayona and shown in the little-attended Critics' Week section. The movie does have a pedigree: it was executive-produced by Guillermo Del Toro, the Mexican filmmaker whose Pan's Labyrinth had its world premiere at last year's festival before becoming a surprise hit and an Oscar-winner in the States. The Orphanage has the same vital vibe: the sense that all crafts of filmmaking are bent to leading us into another, darker, magical world. The happy news is twofold...
...Like Pan's Labyrinth, where the young girl at the center of the film dwelt simultaneously in the horrifying reality of war-ravaged Spain and in a Wonderland retreat of fauns and goblins, The Orphanage zooms along on two parallel tracks. One is realistic, prosaic; it says that Laura's grief over Simon's loss has driven her to desperation and toward suicidal madness. The other, with acknowledgments to J.M.Barrie's Peter Pan, is fantastic, or poetic: it suggests that her grief has opened her to other realities, put her in touch with souls crying from the beyond for justice...