Word: labyrinthitis
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...labyrinth of pipes and valves, tanks and towers rises above the flat bushveld 60 miles north of Johannesburg. At night chimneys spew a gas that casts an eerie orange glow over the surrounding expanse of coal fields. Downwind from the plant, 35,000 people live in Sasolburg, a city of green lawns and broad highways. Their job: to produce Sasol, a synthetic oil made from coal...
...scrupulous anxiety. He has a surer sense of tone-the visual equivalent of natural pitch-than anyone else painting today, and color is second to it; his images are not meant to soothe or win the eye but to build up a record of their action through a labyrinth of nuances. For this reason, a painting like Anne Leaning on a Table, 1977, is as bracing as it is modest. A high stamina of observation is entailed in the complicated whites and shadows of the tablecloth and housecoat, set down with Arikha's fugitive and worried scribbles...
Stockdale's experiences probably qualify him as much as anyone alive to lead career military officers into the labyrinth of moral questions that have come out of Viet Nam. Ethics is taught in many forms in service academies and postgraduate institutions. But Stockdale wants to create a model specifically designed to help the military "regain our bearings." Says he: "Today's ranks are filled with officers who have been weaned on slogans and fads of the sort preached in the better business schools-that rational managerial concepts will cure all evils. This course is my defense against...
...extended memoir of growing up poor in the 1930s, a detailed portrait of a friendship as firm as it is unlikely and an utterly plausible account of an unbelievable obsession. In classical mythology, Daedalus made wings for a practical reason, so that he and his son could escape the labyrinth. Birdy, it turns out, has built wings too, but craved much more. In his cage, he remembers: "I'm also finding it isn't so much the flying I want, not as a boy flapping heavy wings; I want to be a bird...
...indigenous mythology, and his use of innovations in novelistic form, he attempts to assert his intellectual independence from Western literary traditions. Like his Argentine compatriot, Jorge Borges, Cortazar portrays a reality in which past, present and future exist simultaneously; a world where his characters are trapped in the labyrinth of modern society. Cortazar's two best-known works, the short story "Blow Up" (on which director Antonioni based his film) and the novel Hopscotch, exemplify his search for a new Latin American identity and his pet theme, alienation. Hopscotch's structure reflects its themes of circularity and fragmentation...