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...further, undermining nations' own reserves. "Central banks will continue to get out of dollars on the margins, but they don't want to be seen selling dollars hand over fist," Englander says. Besides, with economies weak and interest rates at low levels throughout the industrialized world, there is a lack of better choices. "The dollar may not be attractive, but when you look at the alternatives, nothing is that exciting," says Englander...

Author: /time Magazine | Title: Is the Dollar Dying a Slow Death? | 11/6/2009 | See Source »

...belief that nothing—or “zero”—had then been established about how learning happens in the arts. Goodman accepted an offer to run Project Zero with the idea that it would combat assumptions about artistic practice and ameliorate the lack of rigor in cognitive investigations of arts education...

Author: By Daniel K. Lakhdhir, CONTRIBUTING WRITER | Title: Project Zero Returns to Square One of Artistic Education | 11/6/2009 | See Source »

...while most of the tracks feel too long. His output is erratic: “11th Dimension” and “Left and Right in the Dark” stand among his finest work, while the rest of “Phrazes” suffers from a lack of creative inspiration. Casablancas’ solo effort proves that the Strokes truly were greater than the sum of their parts. For now, as the Strokes record their next album, “Phrazes” is a decent placefiller, but certainly not an enduring, compelling masterpiece...

Author: By Zachary N. Bernstein, CONTRIBUTING WRITER | Title: Julian Casblancas | 11/6/2009 | See Source »

...mimcs the bass line on Queen’s “Another One Bites the Dust,” making use of an almost identical rhythmic structure. The song is more than unoriginal, however; it feels sparse and cheap, a sense that arises from Leslie’s lack of bass or resonance, which in turn makes his songs seem filtered and light...

Author: By Hana Bajramovic, CONTRIBUTING WRITER | Title: Ryan Leslie | 11/6/2009 | See Source »

...though these melodies may be sweet, Leslie isn’t a vocalist. He hits the notes, yes, and even slips into falsetto on occasion, but with his lack of variation in volume and tone, he can’t compare to modern R&B greats like Usher and John Legend. In “Never Gonna Break Up,” the first track, Leslie makes evident these weaknesses. The chorus is sung nearly an octave higher than the verses, in a breathy falsetto, but his voice is merely pleasant and its intensity remains stagnant. “Never...

Author: By Hana Bajramovic, CONTRIBUTING WRITER | Title: Ryan Leslie | 11/6/2009 | See Source »

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