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...rhetoric of the music,” she says, “brings out the rhetoric of the words.” The complementary arias that Semele and Jupiter share, for example, focus the story on their relationship and demonstrate the varied layers of emotion of their characters. This lack of simplistic dichotomies—both in terms of their relationship and in terms of the light and dark mixture as well—is another theme of the production...

Author: By Hana Bajramovic, CONTRIBUTING WRITER | Title: ‘Semele’ Takes a Modern Tone | 10/23/2009 | See Source »

...points emphasized by the panelists was the need to reconcile the lack of connection between the theater community at Harvard and the vibrant Harvard network in New York City arts. Describing this network, producer Karina A. Mangu-Ward ’05 explained, “We facilitate and co-market. We see each others’ shows even if we aren’t directly working with one another.” The difficulty is in knowing that this community exists and knowing where to find it. “I’m not going...

Author: By Kristie T. La, CONTRIBUTING WRITER | Title: HRDC Panel Supplies Advice to Theater Hopefuls | 10/23/2009 | See Source »

...panelists were also frustrated with the lack of practical preparation they received regarding how the theater industry works. “They should have an industry workshop where they teach people who want to act how to audition and how to get headshots because I didn’t know any of that,” Broadwater said. Stone agrees that a workshop is something that the HRDC could pull off with help from the A.R.T., which already teaches its students those basics...

Author: By Kristie T. La, CONTRIBUTING WRITER | Title: HRDC Panel Supplies Advice to Theater Hopefuls | 10/23/2009 | See Source »

...part of the government that is admirable. Uruguay, of course, has other serious problems that will need to be addressed in order to maintain the welfare of its citizens. However, concern for other, perhaps more pressing, issues should not paralyze progress or prevent the country from tackling the clear lack of access to technology or high-quality education. Moreover, the Uruguayan solution should be emulated by similarly capable and equipped nations for the benefit of future generations. This is insurance for posterity and a victory for progress...

Author: By The Crimson Staff | Title: The Uruguayan Example | 10/23/2009 | See Source »

Given the vast array of previous family-focused films, Dieckmann strove to create a realistic yet complex portrait of motherhood. “I felt, as a filmmaker, very frustrated with the lack of multidimensional mothers on film,” Dieckmann says. She didn’t want to create a suburban family comedy (“We’ve seen that movie,” she explains), nor did she aim to produce yet another film about a mother’s psychological crisis. “I didn’t want [to portray] the mother...

Author: By Clio C. Smurro, CONTRIBUTING WRITER | Title: Uma Gets Personal with the Joys of ‘Motherhood’ | 10/23/2009 | See Source »

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