Word: lacroix
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...marketing of Cognac and champagne, some of which is sold through "mass distribution in supermarkets," would "contaminate" Vuitton's upper-crust image. To balance Chevalier's move toward Guinness, Racamier then made overtures to his own outside investor: Bernard Arnault, 39, whose group, Financiere Agache, controls the Christian Lacroix and Dior fashion houses. Following protracted negotiations, Agache and Guinness took a joint 24% stake in Moet Vuitton, with Agache holding the lion's share of the investment. Arnault, who is expected to sit on the Moet Vuitton management committee, plans to increase that stake...
Among non-Hispanic designers, the popularity of Spanish lines, like the current vogue for Christian Lacroix's exuberance, is in part a reaction against the restrained styles of the past few years. "We went through a period in which we looked very severe," says Karl Logan, a Los Angeles-based designer whose collections have borrowed such Latin touches as high-waisted pants and cropped jackets trimmed with beaded fringe. "People want something that is more refreshing and uplifting," he insists. Young designers of all cultural extractions are working to capture the best elements of Spanish design and create a distinctive...
Christian Lacroix' s ready- to- wear debut makes Paris headlines, but some great clothes turn up in small shows and no- shows...
...Christian Lacroix, currently carrying the torch as the mainstream's brightest hope, to kindle some heat. Lacroix, who turned couture upside down and shook out its hand-stitched pockets as no one else has since Saint Laurent, made his ready-to-wear debut, and expectations were high. Lacroix had suggested, while the clothes were still being made, that the giddy shapes and botanical palate of his couture work were going to be a bit muted. But when the lights went up on the first passage, there was a mini-mob of models swarming together at the back of the runway...
Probably too much was expected of Lacroix. He propelled all manner of blinding prints down the runway and showed some inventive accessories, like the kind of mirrored purses backpackers bring back from Third World suqs. But the strain showed too. Some outfits, like a short ballerina-style skirt with a removable poofy apron, suggested that Lacroix was already feeling the weight of his considerable reputation and that it had already got too heavy just to shrug off. He was meeting his own standard, but not besting himself. He was, in a sense, just like every other designer this year: struggling...