Word: ladra
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From the first peremptory drum roll of Rossini's La Gazza Ladra overture, it is clear that the brilliance of Celibidache (cheh-lee-bee-JaA-keh) is no myth. The performance is almost preternaturally nuanced, unfolding with a sure sense of logic and purpose. Even during the patented Rossini crescendos, Celibidache maintains a calm yet iron control, putting the listener in mind of Richard Strauss's dictum that only the audience should sweat at a concert, never the conductor. In the first section of Debussy's Iberia, Celibidache's unerring grasp of detail evokes a Spanish...
...firmly schooled in "the great Viennese classics." Alongside Veteran Composer Howard Hanson's Bold Island Suite, Szell offered Haydn's Symphony No. Q2 ("Oxford"), Brahms's Violin Concerto in D (with Erica Morini as the excellent soloist), and Rossini's bubbly overture to La Gazza Ladra...
...recordings, it is some of the finest sound to be heard on records. Cook's first symphonic releases include two potpourris: Masterpieces of the Dance, with such old war horses as the Emperor Waltz and Danse Macabre, and Masterpieces from the Theater, with music from Carmen, La Gazza Ladra and Euryanthe. The major effort is Mozart's Symphony No. 40 in G Minor, which, despite a too-speedy finale, is the best available LP of the great work. All are played by the excellent Orchestral Society of Boston conducted by Willis Page...
...these were extremes; the more substantial numbers on the program included Enesco's. Roumanian Rhapsody No. 1, Vaughn Williams' Fantasia on "Greensleeves," and Sibelius' Finlandia (the last complete with the popping of champagne corks during the dramatic pauses of the opening section). Rossini's overture to La Gazza Ladra (The Thieving Magpie) showed off the orchestra's first-rate woodwind section. And an arrangement of Cry proved to be a hilarious satire, with quotations from several symphonic works, imitations of whimpering by the trumpets and growling by the horns, and a most realistic baby cry--by a member...
Rossini: Overtures (NBC Symphony Orchestra, Arturo Toscanini conducting; Victor, 8 sides). Italy's great kettledrum-banging composer is heard with appropriate thunder on unbreakable plastic records, which catch the crescendos without the mushiness of ordinary records. Best is Toscanini's job on La Gazza Ladra (The Thieving Magpie). Also in Victor's second plastic album are the overtures to The Barber of Seville, La Cenerentola (Cinderella) and Il Signor Bruschino. Performance : excellent...