Word: lads
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...Gray on '50s TV. O'Brien's sad-eyed face, a Keane portrait with angst, told moviegoers that even if Phyllis Thaxter were your mother or Judy Garland your big sister, childhood could be an unending melotrauma of nightmares and broken ideals. Gray was the winsome lad, then the sturdy teen-ager of Father Knows Best; he navigated adolescence like a middle-class Huck Finn. O'Brien and Gray were natural, winning, resourceful actors who took both their craft and their function as role models seriously. Their like has not been seen since-and, sibling...
Time Bandits'premise would suit the most wide-eyed space opera: an imaginative English lad finds six dwarfs tumbling out of his bedroom closet one night and accompanies them on their adventures through time and space. But the movie undercuts any involvement in the tale by stopping dead for long derisory skits featuring Napoleon (Ian Holm), Robin Hood (John Cleese) and Agamemnon (Sean Connery). It misuses Holm's talents, underuses Cleese's and doesn't use Connery at all-there's no way to turn him into a figure of antic misanthropy. The film finally...
When C.P. Snow was an eight-year-old in the drab Midlands city of Leicester, he read about the atom in a children's encyclopedia. An atom, the credulous lad was told, resembles the ulterior of a cathedral, in which tennis balls-the electrons-bounce about violently. This fanciful account gave the factory clerk's son "the first sharp mental excitement I ever had." He never quite got over...
...reason over the customary 5,000 applicants for the job in a talent hunt. He can pout and look earnest; one could almost indulge his presence in a high school production of Romeo and Juliet. But he is, at best, a puppy lover, not someone who can portray a lad nurturing his passion for two years in an insane asylum and emerging to find and reclaim his love in the face of all opposition...
...solves one thorny problem by reordering the dramatist's text. He builds up lots of audience sympathy for the servant-boy (most winningly played, in both English and French, by 13-year-old Peter James), and then has a Frenchman wantonly stab the lad to death atop a supply wagon, which moves offstage. Then Henry enters with the boy's corpse in his arms, and says. 'I was not angry since I came to France/Until this instant'--whereupon he orders his men to kill their prisoners, which occurs earlier in the text. All of this makes the king's most...