Word: lafcadio
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...enlisted in the British army in World War I and was taken prisoner on the Marne. The horrors of the trenches made him want to flee Europe altogether. In prison camp, he found books on Eastern civilization by Ernest Fenollosa and Lafcadio Hearn; at war's end, he enrolled at the Slade School in London and took classes in Japanese and Mandarin. In 1929, penniless, he managed to reach Shanghai. For the next few years he was able to study Chinese art and writing at first hand, painting landscapes and street scenes (none of which survive), getting...
...epicenter of hedonism is New Orleans -- and, just for the record, no one from there ever called the place the Big Easy or pronounced its name "N'Awlins." The late 19th century writer Lafcadio Hearn rhapsodized about the city's sensuality -- "her nights of magical moonlight, and her days of dreamy languors and perfumes." He was even moved to compare its delicious decadence to "a dead bride crowned with orange flowers -- a dead face that asked for a kiss." Actually, the place is a lot livelier than that. It is a seething agglomeration of jazz halls, Zydeco joints...
...there are islands in the 2,000-mile-long Antillean archipelago that are still near pristine, islands without racial tension or xenophobia, islands with opalescent beaches, lush rain forests and brooding volcanic peaks, islands laved by waters that American Writer Lafcadio Hearn described a century ago as "flaming lazulite." Here the visitor will meet with hospitality and good humor as unflagging as the cool, dry trade winds...
...also proved to be an endless source of fascination for Western travelers, who are invariably, and rightly, en chanted by the rugged beauty of its mountains and the exquisite manners of its people. For one of Japan's ear liest Western advocates, Lafcadio Hearn, the main thing was "the viewless pressure of numberless past generations" at work in the country. These days the focus is on the future generations of Japan. No one knows what pressures they will feel, but one thing is cer tain: Japan will, as Sato says, carry weight...
Kwaidan. Beauty and boredom are richly intermixed in this trio of Japanese ghost stories by Director Masaki Kobayashi, whose last exercise in horror was the classic Harakiri. The boredom stems from three supernatural tales by Lafcadio Hearn, each unfolding with the grace of a water lily and at approximately the same pace. The beauty lies in the film's imagery, the delicate, dreamlike balance of sound and light and color in every frame...