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Word: lag (lookup in dictionary) (lookup stats)
Dates: during 1930-1939
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Usage:

...have continuity, simplicity, and sincerity (need we add, originality). Any band style of playing that aids this is therefore good; any that hinders it is bad. In the opinion of most musicians, the "stiff" or "power-house" style hinders the above, and is bad whereas the "relaxed" or "colored lag" style is the very essence of that thing swing...

Author: By Michael Levin, | Title: Swing | 12/15/1939 | See Source »

What the good relaxed band does it just the opposite of the stiff band. They depend on the ear of the listener to hold the idea of a steady beat and then they begin go play behind it. This is the famous "colored lag," that which takes years to develop, and which most white bands never...

Author: By Michael Levin, | Title: Swing | 12/15/1939 | See Source »

...think "lag" style can be found by pounding ahead in four-four drive. Just the opposite results. And if your are going to be successful, you must have a band that plays in the "same hag"; in other words, plays as a unit the same amount behind the beat. That's why all new bands, bands of all-stars, bands mixing two beat and four beat men are bad. You can't have a mixture of ideas about the "proper lag" and get the swing. For unity, a really good swing band must make a football team look like...

Author: By Michael Levin, | Title: Swing | 12/15/1939 | See Source »

...long deep trip through the jungle Mrs. Keith, only woman along, had a grim time of it, sitting in boats with her buttocks continuously wet, trying not to lag in the slimy trudging, tattered by leeches and insects, dozing through the drowned nights squatted in bed in a safari tent beneath a blue cotton umbrella while her unconquerable husband slept like...

Author: /time Magazine | Title: Books: Atlantic Wife | 11/13/1939 | See Source »

...sensitive that they translate this minute time difference into a sense of direction. The simplest directional hydrophone is a rotatable bar with a receiver at each end, each receiver connected with one of the listener's ears. If a sound comes in at an angle, the slight time lag in the receivers causes the listener to hear it louder in one ear than in the other. He rotates the bar until the sound volume is equal in both ears; then the bar is perpendicular to the direction of the sound source. In antisubmarine practice, it was soon found impracticable...

Author: /time Magazine | Title: Science: Ears Under Water | 10/9/1939 | See Source »

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