Word: lages
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Dates: during 1960-1969
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...visitors lingered by the graves of their fallen comrades, and in the vil lage squares, local musicians played tunes of glory. Most of the returning warriors, however, sought to revive their memories on the Normandy beaches - Omaha, Juno and Utah. Some brought their families, and under a bright, sunny sky, they tried to describe the all-or-nothing assault upon Hitler's Festung Europa. For many it was the second longest...
That Charlotte tried to escape in her writing is well documented in this painstaking biography. British Scholar Winifred Gerin has already written biographies of Anne Brontë and ne'er-do-well brother Branwell. A decade ago, she moved to the Brontës' native vil lage of Haworth, the better to hear the moaning of the Yorkshire moors that the girls loved. She has read 20 years' worth of Blackwood's magazine to trace the sources of Charlotte's erudition and deciphered trunkfuls of childish scrawl to interpret her juvenilia. If the result...
...their own tract of land (Blackistan? Negronia?) to what a writer in Manhattan's Vil lage Voice calls "the copulative approach," aimed at complete elimination of racial differences through intermarriage (though if Brazil and the Philippines are any measure, subtle new discriminations would arise based on how much cafe one inherited and how much laif). Harlem Black Nationalist James Lawson even demands "reparations" amounting to $7,000 for every black person in America...
...white knight of black Africa is the "Omo man," who wanders from vil lage to village. Dressed in candent cot tons, he passes out sample boxes of Omo detergent, a fast-bubbling profit maker turned out by Unilever, the Anglo-Dutch combine that is the world's sixth biggest company. People grab up the giveaways, not only because each box top can be redeemed for ten more samples at the local Unilever-owned store, but also because the Omo man is plugged by radio ads that suggest he possesses supernatural powers. Say the commercials: "As a snail dies...
...advancing Viet Cong, Addiss and Crofut had to sing to a constantly shifting audience, a kind of music to flee by. The duo played in the imperial city of Hue and raised $1,400 for the nearly 1,000,000 homeless flood victims. In one remote mountain vil lage, their performance ended up in a woolly hootenanny with the loinclothed montagnard tribesmen chanting and playing along on gongs and flute. Faced by antagonistic students ready to argue politics, Addiss and Crofut always retreated to song. "As soon as they realized that all we were selling was music," explains Addiss, "they...