Word: lago
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Dates: during 1940-1949
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...didn't get quite the cast he had in mind, but the cast he faced across the footlights was one that no conductor could kick about: big-voiced Leonard Warren as the fat Sir John himself, brilliant young Giuseppe Valdengo, who made his first big U.S. splash as Lago in Toscanini's 1947 broadcast of Otello, Soprano Licia Albanese and Mezzo Cloe Elmo...
...burnoose could not disguise his lurching, hand-wringing acting. Like most Met stage lovers, he more often sang of his passion to Conductor Busch, at whom he stared fixedly, than to Desdemona. The Bronx's burly Leonard Warren couldn't have sung the role of lago with more splendor and imagination-or acted it with less. Soprano Licia Albanese, in her first Met Desdemona, was fine in her lyrical moments in the Willow Song and the magnificent Ave Maria; but as a dramatic soprano, she lacked enough voltage to electrify the house...
...Italian Alfa Romeos and Isotta-Fraschinis. But France had a luxury car of her own in Saoutchik's elegant, hand-built models: the light grey Delahaye, whose front fenders are bisected by mirrorlike wedges of gleaming chrome (price: about $17,000 in France); the white-upholstered Talbot-Lago. Saoutchik had orders for six cars from...
...week's production was robust and properly flamboyant; its duel, for instance, looked like a real duel. And its Cyrano - who is after all the whole show - was a good Cyrano. Jose Ferrer (who has ranged on Broadway from a hilarious Charley's "aunt" to an impressive lago) caught the human being in Cyrano as well as the ham. As the monstrous-nosed, self-sacrificing lover who eloquently poured out his feeling for the beautiful Roxane in another man's behalf, Actor ( Ferrer was often not romantic enough. But as the hot-blooded, proud-plumed Gascon...
...almost solidly male. In a dead heat for first place were Elliott Nugent for his superbly natural sergeant in The Voice of the Turtle, Oscar Karlweis for his delightfully rueful refugee in Jacobowsky. Best brace of actors were Paul Robeson and Jose Ferrer as an eloquent Moor and supple lago in Othello. The most engaging performance by an actress turned up in musicomedy-Mary Martin's in One Touch of Venus. Nimble performances: Elisabeth Bergner (The Two Mrs. Carrolls), Margaret Sullavan (The Voice of the Turtle), Mary Philips in Chicken Every Sunday. Actresses, in a sense, had other fish...