Word: lago
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Booming Voice. In a career that spanned more than a quarter-century, Tibbett ranged through more than 70 roles. He was never a leading Wagnerian, instead concentrated on the great baritone roles of the Italian repertory: lago in Otello, the elder Germont in Traviata, Scarpia in Tosca, Amonasro in A'ida. For Tibbett the Met scheduled rarely performed operas such as Verdi's Simon Boccanegra, and it was Tibbett, a longtime champion of English-language opera, who created the baritone roles in such contemporary American operas as Deems Taylor's The King's Henchman and Peter...
...essence, Bird copies Cat. This time, the heroine is not a childless young wife, but a fading movie queen, Ariadne de Lago (Geraldine Page). The ineffectual young man, Chance Wayne (Paul Newman), is a sexual athlete, but an impotent failure as the actor he wants to be. The has-been and the would-be smoke hashish ("Moroccan, and the finest") and saunter to the footlights to tell their sordid life stories in monologue...
...children snarl revelations at each other (e.g., he keeps a mistress) that should have been common family knowledge for years. Toward play's end, in a scene made memorable through Actress Page's brilliant use of that feeblest of theatrical inventions, the telephone, Ariadne de Lago learns that Hollywood wants her back. As she departs for future glories, Chance, ex-youth sans hope, awaits the Boss's vengeance...
...aria, Cortigiani "oil razza, reported the New York Times's Howard Taubman, the Russians stopped the show with a spontaneous outburst. At the final curtain, they gave him a standing ovation. Warren is scheduled to appear in recitals in Leningrad, to do Rigoletto in Kiev, and to sing lago in Otello in Riga. He has already left a lasting memento of his visit: the Russians have copied the sheet music of one of his most popular recital numbers: Colorado Trail...
...libretto. As Othello, Tenor Mario del Monaco sailed onstage in full joyous shout in his "Esultate," and from there on through his Act III explosion of jealous rage, never pausing to be subtle, kept the house ringing and the stage dark with passion. Baritone Leonard Warren as lago proved again his ability to soar dramatically or modulate to a mahogany pianissimo, invested his role with an air of sly innuendo that it often lacks. As Desdemona, velvet-voiced Soprano Victoria de los Angeles took her time warming up, but was in soaring form by the third act's grand...