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Word: lago (lookup in dictionary) (lookup stats)
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...Moor's Pavanne-Othello to music by Purcell. Limón had provided swirling and courtly choreography for his three accompanying dancers (representing lago, Desdemona, Emilia). And with his dramatic, high-cheekboned, deep-eyed face and high-voltage gestures, big Mexican-born Dancer Limón himself was superb as the blackly jealous giant...

Author: /time Magazine | Title: Music: All the Big Muscles | 1/2/1950 | See Source »

...didn't get quite the cast he had in mind, but the cast he faced across the footlights was one that no conductor could kick about: big-voiced Leonard Warren as the fat Sir John himself, brilliant young Giuseppe Valdengo, who made his first big U.S. splash as Lago in Toscanini's 1947 broadcast of Otello, Soprano Licia Albanese and Mezzo Cloe Elmo...

Author: /time Magazine | Title: Music: Second Serving | 3/7/1949 | See Source »

...burnoose could not disguise his lurching, hand-wringing acting. Like most Met stage lovers, he more often sang of his passion to Conductor Busch, at whom he stared fixedly, than to Desdemona. The Bronx's burly Leonard Warren couldn't have sung the role of lago with more splendor and imagination-or acted it with less. Soprano Licia Albanese, in her first Met Desdemona, was fine in her lyrical moments in the Willow Song and the magnificent Ave Maria; but as a dramatic soprano, she lacked enough voltage to electrify the house...

Author: /time Magazine | Title: Music: Curtain Up in New York | 12/13/1948 | See Source »

...Italian Alfa Romeos and Isotta-Fraschinis. But France had a luxury car of her own in Saoutchik's elegant, hand-built models: the light grey Delahaye, whose front fenders are bisected by mirrorlike wedges of gleaming chrome (price: about $17,000 in France); the white-upholstered Talbot-Lago. Saoutchik had orders for six cars from...

Author: /time Magazine | Title: AUTOS: Like Old Times | 10/25/1948 | See Source »

...week's production was robust and properly flamboyant; its duel, for instance, looked like a real duel. And its Cyrano - who is after all the whole show - was a good Cyrano. Jose Ferrer (who has ranged on Broadway from a hilarious Charley's "aunt" to an impressive lago) caught the human being in Cyrano as well as the ham. As the monstrous-nosed, self-sacrificing lover who eloquently poured out his feeling for the beautiful Roxane in another man's behalf, Actor ( Ferrer was often not romantic enough. But as the hot-blooded, proud-plumed Gascon...

Author: /time Magazine | Title: Old Play in Manhattan, Oct. 21, 1946 | 10/21/1946 | See Source »

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