Word: lahr
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Foxy transports Broadwayites to an antic, 1890s Yukon, where all the fool's gold is stashed in the pouches under Bert Lahr's eyes. When Lahr crosses those eyes, the showdown is eyeball-to-eyeball. When he rolls them deliriously around the socket rims, he looks like a pixilated squirrel who has forgotten where last summer's nuts are buried...
Never has a pinkie been crooked with more elaborate Lahr-di-da, or sexagenarian toes been more agile in the choreography of cowardice. In one panic, Lahr scrambles halfway up the proscenium arch and hangs there, glaring down in 20-foot-high dudgeon at the scoundrels who have treed him. Throughout the musical, he emits those lecherous gurgles, dying squawks and goosy yelps that used to be the cheek-in-tongue counterpoint to vaudeville, and burlesque. What makes Lahr the king of clowns is, above all, his masterly word-and-action timing, as when he off-handedly tosses...
Chocolate-covered ham is the prevailing flavor of Foxy, which borrows its name and some threads of plot from Ben Jonson's Volpone. Double-crossed by three rascally pals, Prospector Lahr gets his revenge by pretending that he is at death's door, with a fortune in nuggets to bestow. His greedy victims vie desperately with one another to show their love for Lahr. One of the sourdoughs, after snapping up a comely virgin for $33,000 on the Yukon's bullish bride market, even offers Bert the jus primae noctis. As for the gift, red-haired...
...WIZARD OF OZ (CBS, 6-8 p.m.). Judy Garland is Dorothy; her old friends are Ray Bolger and Bert Lahr. Color...
...atop Sardi's 44th Street restaurant. In the partnership, Older Brother Sam was the producer and Middle Brother Lee the businessman; "J.J." touched both sides of the business, playing backer to Florenz Ziegfeld, producing more than 500 shows, and sending Eddie Cantor, Al Jolson, Marilyn Miller and Bert Lahr on their way to stardom. Until 1956, when the U.S. Government settled an antitrust suit, the Shuberts controlled half of all U.S. legitimate theaters; the business (24 theaters in Manhattan and four other cities) is still worth an estimated $50 million, and two days before J.J.'s death...