Word: lahr
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...Aisle (music by Jule Styne; lyrics and sketches by Betty Comden & Adolph Green; produced by Arthur Lesser) can smile gratefully at its stars, Bert Lahr and Dolores Gray. Lahr remains among the best of the oldtime funnymen, and there are virtually no new ones. He has a nice comic face, he can make nice comic faces. He has a showman's sixth sense; his antics have authority. Best of all, he can lose his head splendidly when all about him are stodgily keeping theirs. As Captain Universe, leading the Space Patrol in a piece of stupendous interplanetary science fiction...
Wagner's-or not quite Wagner's-Siegfried, as T. S. Eliot's-or not quite T. S. Eliot's-"close friend" of the family, Lahr is always happily himself...
...Lahr and Miss Gray can smile a trifle sadly at Two on the Aisle. Its skits are the show's main virtue, and even some of them should work shorter hours. But Sketch Writers Comden & Green (On the Town) have really satiric minds, and at their best are very funny. Elliott Reid is funny, too, in a take-off of the Kefauver committee hearings. The music is all too thin, however; the dances are dullish, the production numbers mostly colorless. But thanks to its stars, a rather negligible revue still manages to be a very pleasant evening...
...fame of a comic who specializes in gag-stealing and belligerent self-interest, and stops at nothing to keep an audience laughing. The movie includes an endless parade of vaudeville turns with Berle running through his television repertory, throwing in some slapdash imitations of Ted Lewis, Al Jolson, Bert Lahr, et al. Though most of the skits are single-set affairs shot by a rigid camera, there is nothing static about the movie. Berle's heavy cavortings energize the screen like a buffalo stampede. The fact that his comedy is so desperately anxious to please...
Theatre Guild on the Air (Sun. 8:30 p.m., NBC). Burlesque, with Bert Lahr and Ann Sothern...