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...Bourne's success, Davidson says, is born of his genius as a storyteller. "Pieces like Swan Lake are so artistically provocative, in the way you're given a chance to look at a work of art with fresh eyes." For Miyako Kanamori, an executive director of HoriPro, a Tokyo-based entertainment company that has presented Bourne's work in Japan, the appeal lies in the universality of his themes. Expressing human feelings through movement is a feature of traditional Japanese Noh plays, and familiarity with Kabuki drama, in which female parts are played by male actors, has made Bourne...
Matthew Bourne is the world's most popular living dance maker. Every night of the year, in some twilit city, the curtain goes up on one of his shows. On his tempestuous, mostly male Swan Lake, the longest-running dance production in London's history and a triple Tony Award winner on Broadway. On The Car Man, his steamy spot-welding of Carmen and The Postman Always Rings Twice. On his bittersweet Nutcracker or his funny, touching Edward Scissorhands...
...Beyond Words In July 2009, Dorian Gray will head to Moscow's Mossovet Theater as part of the eighth Chekhov International Theater Festival. The seventh festival, in 2007, hosted Bourne's Swan Lake; the sixth, in 2005, featured his Play Without Words. "You can't imagine how popular Matthew is," says Galina Kolosova, coordinator of the festival. Play Without Words, which won an Olivier award following its run at London's National Theatre in 2003, is an adaptation of Joseph Losey's 1963 film The Servant. A witty, psychosexual drama set in an upper-class London household, it features...
...Bourne dates the beginning of his international career to an evening in 1997, when Gordon Davidson, founding artistic director of the Center Theater Group in Los Angeles, went to see a London production of Swan Lake, with its cast of virile, threatening male swans. "I was amazed by what he'd done," recalls Davidson, who retired in 2005. "I said to myself, we have to do it - somehow." He brought the piece over to L.A.'s 2,000-seat Ahmanson Theater, whose audience was more used to touring Broadway shows than experimental dance. But when Davidson wrote...
...whole ordeal seems to just bounce off them, as if they each have bulletproof vests. Katerina's gold, and the $100,000 sponsor bonus it delivers, surely helps (though another $100,000 from Matt would have been nice). Their post-Olympic dream: build a log cabin, preferably near a lake in Minnesota, and raise some kids. They're quite the happy couple, but make no mistake - there's something missing. "It's like two plus two is not adding up to four," says Matt. "It's adding up to 3.99 or something. It's almost all there." Emmons plans...