Word: lamberto
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Over a battery-powered radio, a journalist named Lamberto Guzman sent a horrifying report from Yungay: "Out of 41,000 only 3,000 have survived-those of us who reached the higher areas before the huayco hit us. We had been terrified by the quake, and most of us were praying in the streets amid the wreckage of our city when we heard the infernal thunder of the huayco coming down from Huascarán. For God's sake, send us help. We have no medicine, no food. We have sent some men to one of the lakes...
...been infrequently performed since its composition 171 years ago. One reason is Cherubini's static, pedantic score. Another is the sadistic vocal demands of Medea, the lead role. In this album Gwyneth Jones lamentably fails to match her magnificent voice to the emotional exigencies of Medea, and Lamberto Gardelli's conducting is scandalously lethargic. The Callas version of Medea, released by Mercury in 1958, is an infinitely better listener's choice...
...equipped with voluptuous voices singing this perennial "singers' opera," complete with massive arias and roof-hitting dramatics. Tebaldi, the star of them all, has compensated for the loss of the famous velvet in her voice by inserting pulsating hysteria. Sometimes the effect works, sometimes not. Conductor Lamberto Gardelli makes a valiant effort to keep everybody's bombastics under control...
VERDI: NABUCCO (3 LPs; London). Lamberto Garelli, conducting the Vienna Opera Orchestra, has produced an unexpected smash hit. The biggest surprise is Elena Suliotis, a 23-year-old Greek soprano who has arrived like a gift from Olympus for opera fans who want Msria Callas reborn. Their voices have striking similarities: three-octave range, "white" tone, unflinching attack. But whereas Callas used all her skills and wiles to project a so-so voice, Suliotis is blessed with a strong, clear instrument that never quavers. It will be some time before she matches Callas' artistry, but in the florid role...
Vittorio de Sica's Bicycle Thief (1949) typifies the post-war Italian film of realism; it shows simple, poor people enmeshed in an uncomplicated but terrifying trap. Unemployment, hunger and injustice close in on Antonio (Lamberto Maggiorani); he commits an unsuccessful robbery and the film ends on a note of despair...