Word: lamberts
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Dates: during 1950-1959
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...been in many ways a trial run; port installations were not yet in shape to make their full contribution to the integrated flow of trade. Gauging 1959 against past performance, most cities on the seaway were well pleased-no fewer than 5,861 ships had traversed the St. Lambert lock. Tolls will not be touched for three to five years, until complete trade patterns emerge...
...Stone's vibrant New Delhi Embassy, deserves top honors for its succinct and artistic suggestion of the filigree of India's most well-known monument, the Taj Mahal. A surprise in this exhibition is provided by the exciting and imaginative project of Skidmore, Owings and Merrill for the Banque Lambert in Brussels. So ingenious is its form of detail and so striking its balancing of the major areas that one feels sure that it will greatly influence the course of contemporary design...
...Hart, also wrote The Man Who Came to Dinner, which the Harvard Summer Theatre Group chose to put on in the Union Common Room. Resourcefully directed by Julius L. Novick '60 under difficult conditions, this witty satire about the notorious Alexander Woollcott emerged as a highly entertaining production. Mikel Lambert '59, as Maggie, gave the most consistently fine performance--poised, polished, and sensitive. Other good work came from Earle Edgerton '56 (in the title role), Richard Dozier '60, Marguerite Tarrant '59, John Wolfson '60, and Erich Segal...
...School sponsored Barry Morse in Merely Players, a "one-man theatrical scrapbook." Morse described his show as "a light-hearted look at the actor and his life, his ups and downs, troubles and triumphs--in fact and fiction, in various periods and places." Knowledgeable chatting alternated with solo excerpts.MIKEL LAMBERT '59 and EARLE EDGERTON '56 starred in "The Man Who Came to Dinner...
...large cast of twenty-seven, several persons turn in skillful jobs in major roles orbiting about The Man. As Maggie, his long-suffering and efficient secretary, Mikel Lambert gives the most consistently fine performance of the evening--poised, polished, and sensitive. Even when she is not speaking or is far away from the center of attention, she listens to what is going on; she is always acting and reacting, not just waiting for her next...