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Word: lamberts (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
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Usage:

...What happens in Never Too Late is that Maureen O'Sullivan has the only happy face on stage. But even Paul Ford cannot finally resist the magnetic attraction of new life. At play's end, he begins toying with names for a son (his own is Harry Lambert) : "John, John Lambert...

Author: /time Magazine | Title: Theater: Life Begins at 60 | 12/7/1962 | See Source »

...line is more definite, and perhaps a little stronger. Jeff Lambert and Curt Lemkan will start at end, and both of these boys are capable targets for any Spoto passes...

Author: By Joseph M. Russin, | Title: Powerful Yale JVs Seek 5th Victory | 11/23/1962 | See Source »

Gilian Shallcross admirably brings out the envy and despair of the unappealing Angustias. Pat Collinge as Martirio controls a part that could easily be overplayed, and Anne Crawford and Mary Lambert do a commendable job of defining two other sisters whose characters Lorca left somewhat vague. Saralaine Evans, unfortunately, has some difficulty with the role of Adela. She moves stiffly and occasionally declaims in a monotonous, over-dramatic voice in a way that never lets one forget she's acting...

Author: By Margaret VON Szeliski, | Title: Bernarda Alba | 11/16/1962 | See Source »

...STEPHENSONPAT YOUNG JEFF LAMBERT LT ED SMITH NEAL CURTIN J. NEUENSCHWANDER LG ERNIE ZISSIS WALT DOBRZELECKI GENE SKOWRONSKI C BRAD STEPHENS JOE MINOTTI JIM BEERY RG CHARLIE KESSLER BILL SOUTHMAYD BOB HAGABAK RT DICK DIEHL JEFF POCHOP LEN MERSKI RE DAVE HUDEPOHL FRANK ULCICKAS PAUL BARRINGER QB MIKE BASSETT TERRY BARTOLET BILL HUMENUK FB BILL GRANA FRED BARTL STAN YASTRZEMSKI LH HOBIE ARMSTRONG SCOTT HARSHBARGER TOM BILODEAU RH BILL TAYLOR HANK HATCH RON CLOUTIER

Author: NO WRITER ATTRIBUTED | Title: Crimson Depth Chart | 10/13/1962 | See Source »

...cohorts live up to the demands of the musical, but without any great distinction. Lester James finds the higher parts of the tenor lead somewhat too demanding and resorts to bleating on occasion. As Manon, Constance Lambert does well enough with a nebulous part. Lights, costumes, choreography, and the chorus each show professional handling. The musical director Robert Mandell deserves particular praise for the lush sound he gets out of his orchestra. At North Shore, the orchestra is located in a box-like enclosure that funnels out into the theatre, and this fact may account for the volume and fullness...

Author: By Richmond Crinkley, | Title: Bittersweet | 8/16/1962 | See Source »

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