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Adds Harvard Assistant Professor Kenneth S. Lynn, writing in the Harvard Business Review: "The lament that businessmen are treated with universal hostility has become less valid with the passage of time...

Author: /time Magazine | Title: -BUSINESSMEN IN FICTION--: New Novels Reflect New Understanding | 12/3/1956 | See Source »

These goings-on carry the girls to the unstoppered hell of arty cocktail parties and the drawing-room purgatories of upper-caste Britons living beyond their unearned incomes. The book's brittle, so-weary-of-it-all lament, which only a Bea Lillie could salvage, too often turns the glint of champagne sparkle into ginger-beer fizz.. But Author Manning has an unerring wit that probably comes unforced to a contributor to Punch, and she sees to it, at novel's end, that each of the doves has been properly plucked...

Author: /time Magazine | Title: Books: Mixed Fiction, Nov. 19, 1956 | 11/19/1956 | See Source »

...music gradually transmutes and builds to shat tering climax. On the other hand Composer Floyd is sometimes seduced from the true path by his own melodies, nota bly when he sets Susannah (Soprano Phyllis Curtin) to singing the intermina ble verses of a pretty, folk-song-like lament just when she should be in the depths of despair...

Author: /time Magazine | Title: Music: Discovery in Manhattan | 10/8/1956 | See Source »

...Charles I, whose budding career was clipped off in 1649 as neatly as his sovereign's head. But with the agility of his 20th century namesake, he snatched up the pen as quickly as he dropped the sword, wrote Divi Britannici, a monarchical history of England. In its lament for the plight of the Cromwellian realm, one hears the first rumblings of the famed Churchillian rhetoric: "The two great luminaries of law and gospel were put out: such as could not write supplied the place of judges, such as could not read, of bishops. Peace was maintained...

Author: /time Magazine | Title: Books: Blacksmith to Blenheim | 10/1/1956 | See Source »

While Pirogov and most of the others are loudly verbalizing their predicaments or laying cluttered schemes, I. Koslovsky, as the fool, offers the film's most subtle performance. He appears just twice--first to accuse Boris in a soft, demented idiot's song and then at the end to lament Russia's unrule. Boris Godunov has come and gone, Dmitri has left the land in flames and he, too, will soon be murdered; nothing has changed...

Author: By Jonathan Beecher., | Title: Boris Godunov | 10/1/1956 | See Source »

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