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...current interclub chairman immediately announced his disappointment when the figures were tabulated, and he was joined in his lament by the Princetonian and officials of the University. The "Prince," in its next day's editorial, labeled the returns a "Club Flub," adding that it came as a real jolt to note that "13 percent of the first class to be admitted under the broadened regional admissions system should be refused or ignored membership in the clubs." At that time, one out of every five students belonged to no club, a figure obviously too high assuming the acceptance of the club...

Author: By Gene R. Kearney, | Title: Princeton Clubs Divided on Proposal to Open Membership to 100 Percent of Upper Classes | 11/5/1949 | See Source »

...Hands. Producers also moaned about the scarcity of good scripts. It was an old lament, but this time it rang true. Many established playwrights seemed to be between plays. Of shows hopefully announced for production so far, only a handful involved old hands: Terence Rattigan's Double Bill (a London import); a Maxwell Anderson-Kurt Weill dramatization of the novel Cry, the Beloved Country; Marc Blitzstein's musical version of Lillian Hellman's The Little Foxes; an S. N. Behrman adaptation called I Know My Love (with Alfred Lunt & Lynn Fontanne); a new Cole Porter musical, Heaven...

Author: /time Magazine | Title: The Theater: New Season in Manhattan? | 9/12/1949 | See Source »

First, fans saw one of the old masters in an old work: tall, dark-skinned José Limón in Lament for Ignacio Sanchez Mejias. Last week, they saw him again in a smashing new work by the same choreographer. Unlike her Lament, Choreographer Doris Humphrey's new Invention had no story and no characterization; it was pure dance, but with plenty of invention. By the time Limón & Co. (Betty Jones, Ruth Currier) had gotten through its four brief sections (a bright, gay solo, a duo, a meditative slow movement and a powerful recapitulation) they...

Author: /time Magazine | Title: Music: Out of the Woodshed | 8/29/1949 | See Source »

...Indonesia album is an aural education in itself. There is a Javanese war dance-written on the seven-tone pelok octave and played on bronze percussion instruments-which has the simple gravity of a Bach sarabande. A Sundanese love lament called Drizzling Rain, accompanied on a zither, carries its grief through a long series of delicate ornamentations. An ancient song of the Batak hill people, accompanied by a wooden xylophone and split cymbal, is strikingly like the melancholy music of Provencal shepherds...

Author: /time Magazine | Title: Music: Hearing the Spectrum | 7/25/1949 | See Source »

...solo hit. Slick-haired, flat-faced Juanita just hauled off from the microphone, braced her 61 inches and 165 pounds, and let the customers have it in a full, strong voice that ranged easily from deep purple to high yellow. She moaned Am I Blue and her own Lament over Love, and usually she gave them Bali Ha'i and Happy Talk, her South Pacific hits. Offstage, she had nothing but happy talk: "Despite all you can say, when you are ready, you will get the right role...

Author: /time Magazine | Title: Music: After 21 Years | 6/6/1949 | See Source »

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