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...they are the lifelines for When in Rome, because the supporting cast, including Anjelica Huston as a Guggenheim chief curator and Bobby Moynihan as Nick's very possessive pal, has no characters or amusing lines, no substance or subtext, to work with. Beth's four pursuers are even lamer. Heder and Arnett were splendid as Will Ferrell's skating partner and chief rival in Blades of Glory; to see them here, reduced to floundering, is to witness a small crime against comedy expertise. As sad as this is, it's no shock, since the director, Mark Steven Johnson, and writers...

Author: /time Magazine | Title: When in Rome: When Not Quite Awful May Have to Do | 1/30/2010 | See Source »

...mixed-race President, Obama literally embodies a changing culture. Every stand-up routine about the differences between black folks and white folks is visibly lamer than it already was. But that's not just because Obama is half-black and half-white; it's because he is neither typically black (he comes out of the immigrant, not the slave, experience) nor typically white. Like Slumdog Millionaire or a mash-up CD, Obama represents a crossing of cultures. His story makes a larger argument: that nothing is as simple as it's made out to be. Black and white...

Author: /time Magazine | Title: Pop Goes Washington | 1/21/2009 | See Source »

...getting discouraged about it," Obama said. Clinton rejoined with an attack line that fell flat, and even drew some boos: "You know, lifting whole passages from someone else's speeches is not change you can believe in, it's change you can Xerox." And the canned line seemed even lamer after the debate, when bloggers unearthed the similarity between a line she used in that powerful conclusion of the debate-"You know, the hits I've taken in life are nothing compared to what goes on every single day in the lives of people across our country"-and Bill Clinton...

Author: /time Magazine | Title: Clinton Faces Reality in Texas Debate | 2/22/2008 | See Source »

Young Frankenstein Broadway's Hilton Theatre; opened Nov. 8Can lightning strike twice? Plenty of sparks fly in Young Frankenstein, Mel Brooks' follow-up to his big hit The Producers. But this time the gags are lamer, the songs (again by Brooks) more generic, and there's no Nathan Lane--though the monster's big moment, doing Puttin' on the Ritz in top hat and wails, almost saves the show. Almost...

Author: /time Magazine | Title: Downtime: Nov. 19, 2007 | 11/8/2007 | See Source »

...technology. One, when you take an application and put it on a phone, that application must be reduced to a crippled and annoying version of itself. Two, when you take two devices--such as an iPod and a phone--and squish them into one, both devices must necessarily become lamer versions of themselves. The iPhone is a phone, an iPod and a mini-Internet computer all at once, and they all--contrary to basic physics--occupy the same space at the same time, but without taking a hit in performance. In a way, iPhone is the wrong name...

Author: /time Magazine | Title: The Apple Of Your Ear | 1/12/2007 | See Source »

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