Word: lammermoor
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Lily Pons: Bell Song from Delibes' Lakme, and Mad Scene from Donizetti's Lucia di Lammermoor (Columbia, 6 sides). The Met coloratura's polished style, as well as her occasional variance from pitch, heard in her two most famed roles. Performance and recording: good...
Donizetti: Lucia di Lammermoor, Scene 3, Act 3 (Tenor Jan Peerce, Baritone Arthur Kent, with chorus and orchestra conducted by Wilfred Pelletier; Victor; 4 sides). With gutbusting aplomb, the Metropolitan Opera's newest tenor handles the death soliloquies of Lucia's hero...
...soprano that was emotionless, usually hall-size, usually on pitch, she sang an air from Mozart's Magic Flute. Sophisticated kids and mammas gave each other sidelong looks when Conductor Rudolph Ganz announced that Ellen Berg would next sing the Mad Scene from Lucia di Lammermoor. On that glassy surface, double-runners are not allowed. Coloratura Berg sailed out cleanly, figure-eighted through her trills, skidded a couple of times into her flute accompanist, ducked low to coast into her final note an octave below the conventional high E flat. Wisely, she made no attempt to act daft. Soprano...
...trills, roulades, la-la-las and rarefied staccato eek-eeks of the coloratura are of ancient tradition. The most famed of all coloratura heroines, Lucia di Lammermoor (music also by Donizetti), goes mad, to the accompaniment of an implacable flute. That is typical. Most coloratura roles are in operas in which the heroine goes daft, is throttled, poisoned, knifed, or dies improbably of tuberculosis, along about 11 p.m. But in The Daughter of the Regiment, a coloratura has more chance for fun. The greatest singers of the last century-Jenny Lind, Adelina Patti, Marcella Sembrich, Luisa Tetrazzini-made the most...
...French soprano Lily Pons has practically had a monopoly on old-fashioned Latin coloratura warbling. Last week, when Coloratura Pons hurried off to Palm Beach, Fla. to nurse a sudden cold, General Manager Edward Johnson shoved a brand-new Italian soprano, Lina Aimaro, into her part in Lucia di Lammermoor. A packjammed audience went to hear her, found Soprano Aimaro an earnest young Model T coloratura, with good top notes and a tendency to stall...