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Word: lammermoors (lookup in dictionary) (lookup stats)
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...Georg Anthes, and such better-preserved stars as Lillian Nordica, Emma Eames, Johanna Gadski, Marcella Sembrich and Antonio Scotti. Every so often, the patient listener is suddenly rewarded by hearing the great voices shine through the surface fog-Scotti in Act II of Pagliacci, Melba in the Lucia di Lammermoor Mad Scene-with a beauty and authority that no failings of Mapleson's recording technique can mask...

Author: /time Magazine | Title: Music: Voices from the Past | 2/11/1957 | See Source »

...Maria as the man "who owns me as a husband." At the airport, Diva Callas bumped into another tourist-class passenger, none other than fur-collared Baritone Enzo Sordello, fired from the Met fortnight ago because, claimed Sordello, he had outsung Maria in an unaffectionate duet of Lucia di Lammermoor. In jolly holiday spirits, Sordello proffered a bygones-be-bygones handshake. Maria spurned his mitt and stalked off. Warbled she to newsmen a bit later: "I said, 'Merry Christmas.' He said, 'I want to shake hands.' I asked him to apologize for what he had said...

Author: /time Magazine | Title: People, Dec. 31, 1956 | 12/31/1956 | See Source »

...Callas Who never did play the old Palace -but if she had, she could scarcely have put on a better vaudeville act than she and some of her colleagues did last week at Manhattan's Metropolitan Opera. It began, more or less, during a matinee of Lucia di Lammermoor which was broad cast from coast to coast. Often Callas sang superbly, notably in the famous mad scene, but sometimes she sounded as shrill as static, and during her second-act duet with Baritone Enzo Sordello she dropped her highest note like a hot knife, while Baritone Sordello held...

Author: /time Magazine | Title: Music: War at the Opera | 12/24/1956 | See Source »

Metropolitan Opera (Sat. 2 p.m., ABC). Lucia di Lammermoor, with Maria Callas. Sordello, Campora...

Author: /time Magazine | Title: TELEVISION: Program Preview, Dec. 10, 1956 | 12/10/1956 | See Source »

...presence in even the tiredest old operas packed the house. At Milan's La Scala she has, almost singlehanded, increased the season's attendance half again over prewar records. In critical Vienna, 10,000 people clamored for the 2,000 tickets available when she sang Lucia de Lammermoor. In Chicago her presence successfully launched a new opera company in a city which has been death on opera companies for years. Hundreds of ear-hardened operagoers surge around stage doors just for a glimpse of her. Thousands of others have snapped up tens of thousands of the 13 full...

Author: /time Magazine | Title: Music: The Prima Donna | 10/29/1956 | See Source »

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