Word: lammermoors
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...Covent Garden production of Medea was the same one in which Callas triumphed in Dallas last year (TIME, Nov. 17); in an exchange agreement, Dallas will see the Royal Opera Company's production of Donizetti's Lucia di Lammermoor next year. As curtain time approached in London, $5.60 seats were fetching $98 on the black market, and $30 boxes were going for $280. Shipping Magnate Aristotle Onassis, realizing that the occasion was a great night for the Greeks (Callas, Designer John Tsarouchis, Stage Director Alexis Minotis, not to mention Euripides), desperately placed ads in the London Times agony...
...orchestra sailed in whirlwind rushes through Donizetti's lush score; as whispered duets and trios alternated with bellowed choruses, the opera built to its lyrical climax in Act II with a love duet for Amelia and Marcello. Critics found the duet as fine as anything in Lucia di Lammermoor, proclaimed Alba "worthy of Donizetti's genius." But they reserved their warmest praise for 29-year-old Conductor Schippers, who had triumphed, one wrote, "with all the faith and enthusiasm of his beautiful young years...
...gave the Met its most exciting Traviata in years, and demonstrated again that she has lost none of the turbulent appeal that can magnetize an audience at the flick of an arm or a twist of the head. Diva Callas' next Met roles: Donizetti's Lucia di Lammermoor and Puccini's Tosca...
FLAVIANO LABO, 31, an Italian-born tenor whose clear, powerful singing more than makes up for his lack of height (under 5 ft. 5 in.). He made his successful Met debut as Alvaro in Forza del Destino, and his Edgardo in last week's Lucia di Lammermoor had the house cheering. His secure, robust voice approaches the stentorian singing of Mario Del Monaco, although darker and not so piercing...
MARIO SERENI, a 29-year-old Italian born lyric baritone, has been properly praised for his fine, resonant voice and roasted for wooden acting. As Lord Hepry Ashton in Lucia di Lammermoor this season, he sang well, was no more notable for oaken attitudes than many other performers in an art form that pays little heed to Stanislavsky. While the Met, with Robert Merrill and Warren, has enough starring baritones, Sereni will be useful in such important feature roles as Marcello (Bohème) and Silvio (Pagliacci...