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...uses a big orchestra in opulent style, with emphasis on suave clarinet murmurings, massed brasses in swing-band style and ingratiating melodies. The disk is Vol. I of Decca's New Directions in Music and Sound. Debussy: Pelleas and Mélisande (Janine Micheau, Camille Maurane; chorus and Lamoureux Orchestra conducted by Jean Fournet; Epic, 3 LPs). Maurice Maeterlinck's dewy drama of innocent love and death made luminous by Debussy's timeless score. The performance is excellent, and the recording has a presence that lends impact to the vaporous score. Prokofiev: Semyon Kotko Suite (Radio Berlin...

Author: /time Magazine | Title: Music: New Records, Apr. 25, 1955 | 4/25/1955 | See Source »

Massenet: Scènes Pittoresques (Lamoureux Orchestra conducted by Jean Fournet; Epic). An ingratiating suite by one of the French nationalist revolution aries of the 1870s (others: Lalo, Saint-Saëns) that swings its waltz and polonaise movements as only Massenet could. Played as if it were made of sturdier stuff...

Author: /time Magazine | Title: Music: New Records, Sep. 27, 1954 | 9/27/1954 | See Source »

...China, the spark of music burns bright. For the better part of three decades, delicate, dark-haired Louise Nguyen Van Ty nursed hers in the environs of Saigon, finally coaxed it to the point where she thought it might ignite a cosmopolitan audience. This week, with Paris' noted Lamoureux Orchestra, she played the piano solo...

Author: /time Magazine | Title: Music: An Oriental in Paris | 1/26/1953 | See Source »

Prokofiev: Concerto No. I (Andor Foldes, pianist, with the Lamoureux Orchestra, M. Martinon conducting; Vox, 1 side LP). This concerto, bold, brittle and brilliant, proves how formidable a composer the contemporary Russian master was, even at 20. Foldes gives it a fresh and clean performance. Recording: good...

Author: /time Magazine | Title: Music: New Records, Mar. 12, 1951 | 3/12/1951 | See Source »

Bartok: Rhapsody for Piano and Orchestra, Opus I (Andor Foldes, pianist, with the Lamoureux Orchestra, Roger Désormierė conducting; Polydor-Vox, 1 side LP). Composed in 1904, Bartok's first published piece echoes some early influences, e.g., Liszt and Richard Strauss, but there is striking, youthful originality too. Hungarian-American Pianist Foldes plays' it (and the Fifteen Hungarian Peasant Songs and Sonatina on the other side) in a clean and fresh style. Recording: good...

Author: /time Magazine | Title: Music: New Records, Oct. 16, 1950 | 10/16/1950 | See Source »

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