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...King of Kings" and Natalie Wood shared dominant dositions in the Lampoon list of "Movie Worsts for 1961." In a tie with "Parrish" for first place in the "ten worst pictures" category, "King of Kings" was also awarded the "Greatest Setback to Christianity Since 'The Robe'" Trophy...

Author: NO WRITER ATTRIBUTED | Title: 'Lampoon' Announces Worst Performances From Hollywood '61 | 3/30/1962 | See Source »

...Krok adaptation of The Twist is constructed on a New Havenish ground (one can detect an "Arf" in the midst of the rock growls); but, though one suspects that the lyrics owe their inspiration to the recent carolings of the Lampoon Tabernacle Choir, the noise is usually sufficient to distract attention from them--and the noise is thumping good...

Author: By A. B. H., | Title: The Krokodiloes | 3/29/1962 | See Source »

...RECENTLY became the owner of a new disc, conceived in the Lampoon Castle, announcing itself to be the "Complete Concert" of the Lampoon Tabernacle Choir at Leningrad Stadium. Appalled by the lack of stimulating sounds on the various Boston rock 'n roll outlets, I turned to the 'Poon groves with some eagerness. But my expectations were disappointed. The 'Poon record fails on just two accounts, but they are, sad to say, vital ones: the record isn't funny, and it isn't good rock 'n roll...

Author: By Joseph M. Russin, | Title: Close Harmony, Few Notes | 3/23/1962 | See Source »

Belatedly, the flapper is beginning to flourish in Russia. Called chuvikha (slang for female), she dabbles in sex and tipples vodka, cares more about fashions than factories. Russian cartoons criticize her rebelliousness, lampoon her fickleness. With heavy Victorian moralizing, the press points out the tragedies of good girls gone wrong. Stimulated rather than appalled by all this attention, the chuvikhi lap it up. Last week they had another heroine...

Author: /time Magazine | Title: Russia: The Modern Girl | 2/23/1962 | See Source »

...Redeeming Note. His subject was not mankind's evils but its foibles. The French Barracks, with one officer staring lecherously at the bosom of the girl cutting his toenails while another officer preens before a mirror, is a hilarious lampoon of Gallic lust and vanity. In The Return, Portsmouth Point and The Great Hall (for which Rowlandson farmed out the background, did only the figures), the satirist turned on his native land to poke fun at the rowdiness of the toughs and the smugness of the toffs. But beyond the brawling and posturing lie England's manicured countryside...

Author: /time Magazine | Title: Art: Loving Lampoons | 2/23/1962 | See Source »

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