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Word: lana (lookup in dictionary) (lookup stats)
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Artie Shaw, whose previous two wives were Lana Turner and Jerome Kern's daughter, Elizabeth, said that he was now separating from Mickey Rooney's exwife, Ava Gardner, after eight months of it. The bandsman explained: "We simply got on each other's nerves...

Author: /time Magazine | Title: People: People, Jul. 8, 1946 | 7/8/1946 | See Source »

...Cain wrote an exciting noval about passion, murder, a bum, and a girl who "really wasn't any raving beauty" but who had a sulky look to her. Now "The Postman Always Rings Twice" is here in the movies, with sheer quantity of kisses pinch-hitting for passion and Lana Turner for the sulky, Mexican-looking woman. Murder and the bum more nearly receive their due, the latter at the hands of John Garfield, but in no way does the picture generate the speed and intensity of the book...

Author: NO WRITER ATTRIBUTED | Title: The Moviegoer | 6/13/1946 | See Source »

...Indemnity" (also based on a Cain yarn), "Postman" involves the extra-curricular love affair of a married woman, the murder of the husband by wife and lover, and the net of justice that ensnares them. But where Barbara Stanwyck clearly was a woman powerless in the grip of passion, Lana Turner plays a peculiarly ill-defined character, driven in conflicting directions by muddled motives. Nor is Garfield, while more suitably cast, given a better organized role. The smaller parts are much neater; Cecil Kellaway as the husband and Hume Cronyn, as a lawyer who gets Miss Turner and Garfield...

Author: NO WRITER ATTRIBUTED | Title: The Moviegoer | 6/13/1946 | See Source »

Rita Hayworth and Lana Turner gathered garlands of Mother's Day publicity: they made somebody's list of the "most glamorous mothers...

Author: /time Magazine | Title: People: Inklings | 5/20/1946 | See Source »

John Garfield is so familiar in the toughman role that his mere presence threatens the audience's capacity for belief. Lana Turner is a very highly charged and appealing girl, but too much in this role is far beyond her experience, her understanding, even her sincerely overworked imagination; her only fine, authentic moments, barring one searing flare of jealous hatred, are casually domestic and flirtatious. Much of the Turner-Garfield dialogue, which needs the flickering intensity of adders' tongues, is paced and keyed like an erotic discussion between a couple of cats. Finally, a kind of overall rigor...

Author: /time Magazine | Title: The New Pictures, May 6, 1946 | 5/6/1946 | See Source »

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