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...Producer Ely Landau, and he wanted her to star in Eugene O'Neill's Long Day's Journey into Night. Demanded Hepburn: "Who's doing the script?" Replied Landau: "O'Neill." There was a long pause as the full significance of the answer sank in. Then Kate cried: "Marvelous!" and agreed to sign...

Author: /time Magazine | Title: Movies: Economy-Class Journey | 6/1/1962 | See Source »

Opposite Directions. At first glance, it might seem as if Jacob Landau, 44, had come out of the same school as Robert Broderson, 41. In both Cinna the Poet (overleaf) and New Myth-Mine Disaster (last color page), the tortured figures look as if they were about to be torn apart...

Author: /time Magazine | Title: Art: The Reappearing Figure | 5/25/1962 | See Source »

...artists take entirely different approaches to their work. Broderson, who learned much from painting abstractions -"surfaces, various ways of using paint and the like"-starts a picture with only the vaguest idea in mind, lets it evolve on the canvas, a characteristic of action painters. Landau's Cinna was inspired partly by the Orson Welles production of Julius Caesar and partly by the brutality of Naziism in World War II. While many of the new figurative painters tend to use the figure as just another object or form, Landau is brave enough to admit to being concerned with...

Author: /time Magazine | Title: Art: The Reappearing Figure | 5/25/1962 | See Source »

...Beit Haam (House of the People), the three Israeli judges returned to the courtroom in which, for four months, they heard 1,350,000 words of testimony. The crowd expected to hear first a detailed, legalistic defense of Israel's right to try Eichmann. Instead, Presiding Judge Moshe Landau (like his two colleagues a refugee from Nazi Germany) ordered Eichmann to attention in his glass, bulletproof cage, and bluntly told the accused: "The court finds you guilty...

Author: /time Magazine | Title: Israel: Judgment Day | 12/22/1961 | See Source »

Despite Director Landau's rationalizations, Shakespeare's "bitter comedy" is just a little more relevant to the Conflict Between the States than it is to a Macy's-Gimbels' price war. Effective only in scattered scenes and particularly in the foul language and cold ironies of its Thersites, who, more than anyone else, probably represents Shakespeare's point of view, the play is difficult to stage in any context. But Shakespearean directors have long tried to meet the challenge anyway, notably Tyrone Guthrie, who, with the Old Vic, once did Troilus and Cressida...

Author: /time Magazine | Title: The Straw Hat: Vicksburg-on-Avon | 8/4/1961 | See Source »

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