Word: landed
(lookup in dictionary)
(lookup stats)
Dates: during 1970-1979
Sort By: most recent first
(reverse)
...People's Republic of China is as much a land of paradox and poesy, blood, sweat, glory and incongruity as the riven country that greeted Marco Polo. The temples and tombs, palaces and pagodas and gardens, majestic mountains and mighty rivers, art and artifacts as old as civilization: they are all there, glittering, tangible and not quite believable. Off the usual tourist track are the ramshackle tenements, mud-walled village cottages and the grinding labor of the peasant, equally hard for the Westerner to comprehend. They will all become picture postcards of the mind, but on first encounter they...
...latter-day Polo, the F.F., comes with camera, tape recorder and ballpoint pen. Thus he returns with certain authenticated truths. He comes also with the knowledge that he is visiting the world's most populous nation, perhaps a billion people inhabiting a land mass only slightly larger than the U.S. It is of course a Communist nation long opposed to America. It is an authoritarian society in which the late Chairman Mao Tse-tung's sayings, statue or visage (often today paired with that of Chairman Hua Kuo-feng) dominates every public place-though Mao buttons...
Hsinching has a population of 21,626; the peasants privately own and cultivate 8% of the land. The commune has a busy, fair-sized hospital staffed by 30 nurses and 40 paramedics, "barefoot" doctors: its bare-toothed dentist boasts that every last piece of equipment was made in Shanghai...
Andre Watts, pianist, on playing the Liszt Sonata: "It's a moment of stoppage of existence, like blacking out, like I am going around the bend. It is a moment of transcendental passion. A no man's land...
Poet Stephen Spender, 69, first emerged as a member of the Auden circle, the preternaturally clever group of young writers who came down from Oxford and inherited The Waste Land. The legacy was intimidating. Not only did Eliot's masterpiece seem to leave scorched earth for subsequent poetry, but the apocalyptic dry rot it portrayed cried out for desperate measures beyond the range of literature. Spender and his contemporaries, including Auden, Louis MacNeice, Cyril...