Word: landing
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Dates: during 1970-1979
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...daughter and two children of her brother, Duong Xuan Phong, who had settled earlier in Atlanta with his wife Nga. Yen had sailed from Viet Nam last February on a rickety boat with 60 other people. Although the Malaysians opened fire on the refugees when they first tried to land, and many were later raped or robbed, the foursome wound up safely at a camp and were allowed to immigrate to America. "We have a different life and different customs," says Nga, who is a hospital technician, while her husband has qualified for his pharmacist license...
...Like many of her neighbors, she was determined to remain in Tyre, even though there was no electricity or running water and the Israeli raids could begin again at any time. "If we leave," she reasoned, "we will become like the Palestinians. We will lose our homes and our land...
...beautiful and magical here?a quality which cannot be described," Adams wrote to his friend the photographer Alfred Stieglitz from Painter Georgia O'Keeffe's ranch in New Mexico in 1937. "You have to live it and breathe it, let the sun bake it into you. The skies and land are so enormous, and the detail so precise and exquisite that wherever you are you are isolated in a glowing world between the macro-and the micro, where everything is sidewise under you and over you, and the clocks stopped long...
...director's script rewrites necessitated a bigger budget of $11.6 million. The film had become more sweeping than a conventional western. It opens in the 1870s with the Harvard graduation of the hero, James Averill, who, like many of his generation, went West to help settle the land. Ten years later, as a federal lawman in Johnson County, he sides against his own class in the growing war between landed gentry and immigrant farmers. His story incorporates themes of love, class struggle and war. Says Kris Kristofferson, who plays Averill: "The movie ends where The Great Gatsby begins...
...goodly number of the company mimic the balletic prancing of Thoroughbreds. The equine hero is Strider (Gerald Hiken), whose bloodlines must somewhere have tangled with those of Harpo Marx. Strider is a piebald gelding and, because of that, very infra dig. Metaphorically, he is a Russian serf in a land where serfdom, at all unhappy times, seems endemic. Yet all men are serfs of some sort, as Tolstoy points out. And every serf, like every dog, does have his glorious days. For Strider, the first is a fling at love with a filly fatale (Pamela Burrell), an adventure for which...