Word: landowska
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Back to a Love. World War II forced Landowska. who was of Jewish origin, to flee France. She came to the U.S. and settled in Lakeville, Conn., with Elsa Schumicke and Denise Restout, who had been her constant companions for more than 25 years. There she concentrated on recording her interpretation of the old masters. Her recording of the 48 labyrinthine preludes and fugues of Bach's Well-Tempered Clavier is a modern classic. Landowska called it "my last will and testament." It was far from her last. At 76, but with the spirit of a sprite, the high...
...category "classical music," in the usage of the recording industry, may stretch all the way from Wanda Landowska to Wladziu Valentine Liberace. Within that range, the smaller companies count as a bestseller any disk that sells more than 15,000 copies, while with the larger outfits a hit record may approach half a million (the industry guards exact sales figures with almost paranoid intensity, with each company claiming that all others are cheating). Here, in order of popularity over the last decade, are the top five classical LP sellers of the leading classical companies...
...concert stage, Tureck impressed the critics, but U.S. concertgoers, more accustomed to the Bach credentials of Harpsichordists Wanda Landowska and Ralph Kirkpatrick, were left relatively cool. After a poorly attended concert in Manhattan's Town Hall, the New York Times critic demanded: "Must this great artist go to Europe to be recognized by her own country?" In 1953 she did just that, with such success that she returned in 1954 for four months of solid engagements. Her concerts at London's Albert Hall have sold out months in advance. Twice she has packed the huge Festival Hall...
...Harpsichordist Wanda Landowska...
Understanding. Accordingly, the recordings abound in varied repetitions and rippling cadenzas, written in by Landowska where she felt they were implied in the score. By delicate adjustments of touch, Landowska even manages to convey some of the sharp differences of tone color characteristic of the pianoforte of Mozart's day. The result is a series of performances with shimmering articulation and a profound, spacious sense of repose. Played far more slowly than the usual "virtuoso" Mozart performances, they suggest tensions in the simple melodies rarely detected since Mozart...