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...said about the exhibition entitled “Looking at Leaves,” which features photographs by celebrated New York photographer Amanda Means. It is the third in the Museum’s “Looking at Nature” series, following “Looking at Landscapes?? and “Looking at Animals.” “Our goal is to use photography to get people to look at nature in ways they hadn’t before,” Werby added. “It’s about...

Author: By Alexander B. Cohn and Betsy L. Mead, CRIMSON STAFF WRITERSS | Title: Museum Tries Branching Out | 5/13/2008 | See Source »

...shadow as the star of the show. His determination to represent the world realistically and the equal sensibility with which he treats a vast landscape and a tiny flower shoot make him the ultimate Ruskinian. Aside from “Peacock Feather,” his small landscapes??“Venetian Doorway” (1877), “San Barnaba, Venice” (c. 1876-77), and “Winter Landscape, Valley of the Catskill” (1866)—are not to be missed. Each painting alone can be examined for hours, and with...

Author: By Victoria D. Sung, CONTRIBUTING WRITER | Title: Fogg Dips Into Ruskinian Watercolor Era | 4/13/2007 | See Source »

...View Along Fern St. from 10th St.,” with its focus on change over time, is in many ways representative of the work of three photographers who view landscape as anything but constant. Like the exhibit itself, the experience of “Looking At Landscapes?? is dynamic, not only showing viewers new perspectives on the world around them, but also encouraging them to keep looking even after they leave the show...

Author: By Lee ann W. Custer, CONTRIBUTING WRITER | Title: Headlines Portray Built Landscape Exquisitely | 11/30/2006 | See Source »

...unitiated eye, many of the works—which tend to rely on traditional materials and feature classical depictions of Chinese landscapes??appear very similar to far older Chinese paintings. Luckily, the incredibly comprehensive labels, including separate detailed biographies of the artists, break down how each of them diverges from tradition...

Author: By Anna K. Barnet, CONTRIBUTING WRITER | Title: New Kids on the Block | 10/12/2006 | See Source »

...Stopforth were teaching a Justice section or giving a Biochemistry lecture, these elements might not matter. But his course, VES 113, “Altered Landscapes?? is one of Harvard’s few classes to be taught mostly outdoors. Each week, the class boards a shuttle to the Forest Hills Cemetery, where they have obtained permission to create landscape-based artworks. As Stopforth puts it, “We experience the environment moment to moment, for the pure physical pleasure of being...

Author: By Véronique E. Hyland, CRIMSON STAFF WRITER | Title: VES 113: Altered Landscapes | 11/3/2005 | See Source »

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