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Word: landscapists (lookup in dictionary) (lookup stats)
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...gardens. Black-bottomed reflecting pools reached under the cantilevered grille-wall to give the building a hovering effect. Five evenly spaced jet fountains splashed aerated water in the sun. The whole structure was set back a deep 150 ft. from the boulevard, and magnificently set off by San Francisco Landscapist Tommy Church with lawns, ferns, clusters of palms. "Oh, my, Ed," mumbled Hanisch, "that's something. It's fantastic. It's . . . it's outta this world...

Author: /time Magazine | Title: Art: Palace for Pills | 1/20/1958 | See Source »

Alongside Pasche sat Corry Riet, 31, of Zaandam, The Netherlands, who was paralyzed by polio at the age of five. When it became clear that she would never regain the use of her arms, Corry Riet learned to hold a brush with her teeth, took lessons from a landscapist. She makes a comfortable income from her paintings, calendars and greeting cards...

Author: /time Magazine | Title: Medicine: Rehabilitation | 12/24/1956 | See Source »

...great wave of romanticism in the 19th and early 20th centuries, some painters became so absorbed in expression that they lost sight of the limitations of their materials. Ralph Albert Blakelock, the American romantic landscapist (1847-1919), delighted in the rich gloss of bitumen, a poor-drying, brown pigment, which he used so excessively that the paint ultimately slipped on the canvas (e.g., in one of his landscapes owned by the Brooklyn Museum, paint ran down and over the frame). Edgar Degas, the French impressionist, striving for certain effects, sometimes reduced his paint to what he called essence by thinning...

Author: /time Magazine | Title: Art: Sliding Portraits | 11/8/1954 | See Source »

ITALIAN PAINTING: Milan's Bruno Cassinari, portraitist and landscapist, and Venice's Bruno Saetti, abstractionist, who shared the prize between them...

Author: /time Magazine | Title: Art: Venice Chooses | 6/30/1952 | See Source »

...century. Ranged against their contemporaries and followers of the last 50 years, they still ranked with the best the U.S. has produced. Two of them-Whistler and Sargent-had been polished expatriates whose works reflected London and London society with all the elegance and sheen of an opera hat. Landscapist Winslow Homer and Philadelphia Portrait Painter Thomas Eakins, who stayed at home, painted with a directness and clarity that no U.S. artist has yet surpassed...

Author: /time Magazine | Title: Art: The 200 | 7/3/1950 | See Source »

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