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...joined Ms. Hemingway in a Manhattan restaurant; they were halfway through lunch (cold lobster, white wine) before they could really understand her lickety-split, California-hip patois, but the interview turned out "okeydoke artichoke," as Margaux would say. Mallet also talked with Model Beverly Johnson and interviewed Millionette Nicky Lane in her Visconti-decadent drawing room on Manhattan's East Side. Not all of the work on the cover was done in such appealing surroundings, but no one involved would quibble with Halstead, who says, "It was a once-in-a-lifetime assignment-but I hope...

Author: /time Magazine | Title: A Letter From The Publisher, Jun. 16, 1975 | 6/16/1975 | See Source »

...view of California as it sped by backwards, but the State Troopers didn't agree. We were on the road for only ten minutes when they pulled up about two feet in back of the truck, cruising at a swift 60, and then they cut out into the other lane, passed us like a salmon might take a small waterfall and told our drivers to pull over. We all got our I.D.s checked and then we were told the tailgate had to be closed, so California went by in blackness. We made up for it with a couple of joints...

Author: By Gregory F. Lawless, | Title: Riding on the Blacktop Rivers | 5/28/1975 | See Source »

Last Monday Assistant Publisher Lane Fortinberry, White House Correspondent Dean Fischer and I had the pleasure of presenting a special leather-bound copy of our Bicentennial issue to our highest ranking reader, Gerald Ford. Our appointment was delayed by a strategy session of the National Security Council. That meeting, we later discovered, had focused on ways to respond to the Cambodian seizure of the merchant ship Mayaguez (see cover story). Unruffled by the developing crisis, the President greeted us warmly and leafed through the special edition. He paused at the People section, laughing over colonial Dr. Benjamin Rush...

Author: /time Magazine | Title: A Letter From The Publisher, May 26, 1975 | 5/26/1975 | See Source »

Besides this seemingly more "faithful" representation of reality. Tanner uses a disjunctive montage--scenes begin and end arbitrarily--that endows trivial gestures and cursory phrases with a heightened significance. Paul, driving his car along a country road after visiting Adriana, pulls into a dirt lane, pushes back his seat, rolls up the window, and closes his eyes to go to sleep--then another date announcing a new day flashes on the screen. Adriana sits alone nude in her drab room, cooking some broth on her hot plate; she gets up from her chair and slips into a robe; she returns...

Author: By Michael Massing, | Title: A Film Only a Filmmaker Could Like | 5/19/1975 | See Source »

...course contained two turns, the first at the quarter mile mark with Yale having the inside lane, and the second at one and a quarter miles with Radcliffe enjoying the advantage...

Author: By James E. Mcgrath, | Title: Radcliffe Crews Topple Yale | 5/19/1975 | See Source »

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