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Junior midfielder Jen McDavitt sent the insertion pass out to Gannon, who had trouble settling the ball. But Maasdorp was able to corral the loose ball and rip a reverse shot that sophomore Julie Lane deflected into the net for a Harvard goal...

Author: By J. PATRICK Coyne, CRIMSON STAFF WRITER | Title: Field Hockey Bumped From Tournament | 11/15/2004 | See Source »

Long before Jhumpa Lahiri won the Pulitzer Prize for Interpreter of Maladies, long before Monica Ali won thousands of devoted readers with her heartrending Brick Lane, another novelist was offering us exquisitely detailed portraits of bodies in transit--Easterners in the West, half-Westerners back "home" in the East, people who don't know where they belong--and master classes in the art of sly and sensuous fiction. Born to a German mother and a Bengali father in India, long a resident of Britain and the U.S., Anita Desai was a global, migrant writer before such a thing was fashionable...

Author: /time Magazine | Title: Old Master, New Place | 11/8/2004 | See Source »

...actors’ bold effervescence, both in song and in action, carries the show, infusing it with provocative verbal and kinesthetic inflection. Anonymous character JC Cassis ’06 blurts out “I voted for John Kerry” during one number. Lane D. Levine ’06 takes on the musical’s burlesque motif, drawing circles in the air with his well-toned glutes as boy-toy Arthur in “Arthur in the Afternoon...

Author: By Marie E. Burks, ON THEATER | Title: Theater Review: ‘The World Goes ’Round’ Paints Portrait of Life Through Song | 11/1/2004 | See Source »

Like The West Wing, Housewives is well made but stacks the dramatic deck shamelessly. Its characters--as thin as mica flakes, especially the men--are very affluent, and it's set on Wisteria Lane, a picket-fence never-never land. We don't see women juggling home and career; there aren't any nannies or day care in sight. All this allows the show to be "brave" by indicting a clich of suburban life without really depicting how any of its viewers live...

Author: /time Magazine | Title: The Fury of Women Scorned | 10/25/2004 | See Source »

...show's loss is also its gain, because rushing to the rescue is the acclaimed Nathan Lane, who originated the role of Max on Broadway, and will replace Dreyfuss for three months. (The good news: based on the first preview, Lane's fabulously manic, archly knowing interpretation is intact.) After his stint, Lane will leave to shoot the movie version of The Producers. The cast has already felt the difference. Says leading lady Leigh Zimmerman, "We've all been ready to move up a gear for a couple of weeks but couldn't. Now with the fire Nathan brings...

Author: /time Magazine | Title: A Comedy of Errors | 10/24/2004 | See Source »

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