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...portrayals of Gnosall in the media, says Cynthia Spencer, 64, a clerk to the local parish council. But amidst their grief, villagers are trying to heal. In memory of two of its deceased who used to ride their horses there, the community has christened a local path as "Forresters Lane." As it meanders toward the local cricket club, the dirt track passes a children's playground and a small paddock. Horses grazed as darkness crept in, signaling the end of a bright day. Hopefully the storms have passed...

Author: /time Magazine | Title: The Suicide Capital of England | 12/3/2007 | See Source »

Pasquarello said the driver was cited for marked lane violations...

Author: By Noah S. Bloom and Anna L. Tong, CRIMSON STAFF WRITERSS | Title: Student Hit By Car Near Fogg | 11/30/2007 | See Source »

...youthful energy that I have that fits during that time of release and rejuvenation," he says, expressing a level of self-knowledge rare for people who make their living playing make-believe. For a December release like Legend, "I have to focus more 'cause it's not my natural lane...

Author: /time Magazine | Title: The Legend of Will Smith | 11/29/2007 | See Source »

...Then there's the cast. I saw The Producers three times, with three different sets of stars, and it became abundantly clear how much Nathan Lane, the original Max Bialystock, brought to the show, milking every line for laughs that even Brooks may not have known were there. This time, Brooks makes do with an array of competent Broadway vets. Roger Bart (the gay assistant in The Producers) is likable, but only that, as Dr. Frankenstein. Sutton Foster, one of Broadway's song-and-dance wonders, seems to be slumming as the Swedish bombshell Inga, a part...

Author: /time Magazine | Title: Young Frankenstein: Monster Mashed | 11/9/2007 | See Source »

Young Frankenstein Broadway's Hilton Theatre; opened Nov. 8Can lightning strike twice? Plenty of sparks fly in Young Frankenstein, Mel Brooks' follow-up to his big hit The Producers. But this time the gags are lamer, the songs (again by Brooks) more generic, and there's no Nathan Lane--though the monster's big moment, doing Puttin' on the Ritz in top hat and wails, almost saves the show. Almost...

Author: /time Magazine | Title: Downtime: Nov. 19, 2007 | 11/8/2007 | See Source »

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