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...Prudence, having invited him to bed because firewood is dear, climbs in with her clothes on, sits there with the blanket wrapped about her in the manner of a lap robe and, as a final guarantee of innocence, pulls down a centreboard between them. All this provides Mr. & Mrs. Langner with plenty of material for salty preliminary lines, occupies two acts of their comedy. A fire-eating Virginia cavalryman, a hell-scorched preacher and a bumbling sheriff add to the fun, and Meg (crack-voiced Dennie Moore), a licentious slavey who nevertheless "keeps it patriotic." supplies the really bawdy element...

Author: /time Magazine | Title: The Theatre: New Plays in Manhatten: Oct. 23, 1933 | 10/23/1933 | See Source »

...with the same cast, will appear soon, to be called Let 'Em Eat Cake. Frederick Lonsdale's new play, Foreigners, will be given a production by Arch Selwyn. Maria Jeritza, a rich musical comedy personality, will be seen in the operetta Jerry. Dwight Wiman and Lawrence Langner are reviving Strauss's Die Fledermaus with Peggy Wood and Helen Ford singing the leads. George S. Kaufman, that perennial collaborator, and Alexander Woollcott have written a mystery play for Sam Harris. Philip Barry's new play, about the home life of some Boston Irish Catholics, is in preparation...

Author: /time Magazine | Title: The Theatre: Broadway Boy | 10/9/1933 | See Source »

...deft slapstick and the high cyniscism of "Caprice". Ben Jonson gave the Fox his being and his taste to trick the would be inheritors, who licked his hands for the delicious death sweat. Since then "Volpone" has been through the adaptation of Stefan Sweig and the translation of Ruth Langner. Even now, in the buzz of Mosca the Gadfly, the pandering servant who wins gold for Volpone to dirk him in the end with his own weapons of pen, ink and attested parchment, one can recognize that wise hardness that was to stiffen the ease of Elizabethan lyricism...

Author: By G. K. W., | Title: The Crimson Playgoer | 1/15/1929 | See Source »

Henry-Behave. Lawrence Langner, a director of the Theatre Guild, and, therefore, supposedly a gentleman of taste, has just issued his mild endorsement of the cake-eater. Henry Wilton, pompous, ultra-puritanical pillar of the community suffers an attack of amnesia. With all inhibitions medically banished into oblivion, he proceeds to bedazzle himself in loud golf clothes, flirt with boarding house girls, reel off on a drunken spree, precipitate a brawl in the country club, and in other ways prove himself at heart a real, human personality. As a result of this exhibition, he finds himself, on recovery, a nominee...

Author: /time Magazine | Title: Theatre: New Plays: Sep. 6, 1926 | 9/6/1926 | See Source »

...Guild's Board of Managers, responsible for its choice of plays and general policy, consists of "a banker, a lawyer, an actress, an artist, a producer and a playwright"; that is, in the same order, Maurice Wertheim, Lawrence Langner, Helen Westley, Lee Simonson, Theresa Helburn, and Philip Moeller. Of these, Theresa Helburn, tireless and ubiquitous Executive Director and Mrs. Westley, an accomplished actress of vigorous originality, were the pair chiefly accountable for the birth and rise of the Guild. Finding the theatre "frankly commercial," the Guild has never posed as a society of pure artists...

Author: /time Magazine | Title: The Theatre: Cornerstone | 12/15/1924 | See Source »

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