Word: languors
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Dates: during 1950-1959
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...shoes, or. as Author Ryan argues, his own estimate of Allied intentions led him to discount the warning and leave the front. On the evening of June 5, Meyer caught the second part of the message: "Blessent mon coeur d'une langueur monotone [Wounding my heart with monotonous languor]." Following this broadcast, Canaris had told Meyer, the invasion would begin within 48 hours. When the excited Meyer burst into the Fifteenth Army chief's bridge game, General Hans von Salmuth ordered his troops alerted, then picked up his hand, telling his fellow players...
Kriegsspiel, Anyone? Monotonous languor seems almost the key to an uncanny series of decisions and events that shackled German strength on Dday. Half a dozen or more top German officers besides Rommel were absent from their coastal commands. Some of these, ironically enough, were taking part in a Kriegsspiel, a war game simulating an enemy landing in Normandy. On the very eve of Dday, the Seventh Army, guarding Normandy, was taken off alert because the weather was bad and all previous Allied landings had taken place in fair weather. The 124 planes of the 26th fighter wing stationed near...
Despite its manifold wit and moments of wisdom, the plotless Heartbreak House drifts along with its people, and at times reflects their languor. This is partly because Shaw's ante-bellum England is not in itself a theme, but only a framework for one. Where Chekhov portrayed something dramatic, the death-indeed the suicide-of a class, Shaw caught, at most, the malaise of a country. Moreover, his characters are all so busy explaining what they suffer from that though they convey a forcible sense of diagnosis, they give off only the most feeble sense of disease...
...British critics with the feathers of the Angry Young Men. Novelist Wain rejects the label-and with good reason. With this novel about marital infidelity as practiced by England's rootless middle class, he identifies himself with a school that looks back not in anger but in languor...
Valentino & Brando. Harry Belafonte's background is an arresting mixture of black and white ancestry, of Harlem harshness and the West Indian languor, of Broadway jazz caves, Greenwich Village hash houses, efficient modern recording studios. Throughout he has clung to a certain tough quality that can flash out as easily as his boyish smile. Recently TV Director Don Medford tried to define the key to Belafonte's dramatic magnetism: "Behind him is this hard core of hostility. Like Brando, Jimmy Dean, Rod Steiger, he's loaded with it." The quality lends a demon drive to Belafonte...