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...strides through Metropolis with a heavy, sexy gait, as if John Wayne had just discovered his libido. A three-day beard prickles the lantern jaw. His hair has lost that Wildroot sheen, and the brilliant red cape has turned a dirty maroon. Even the cape's bold insignia looks tarnished: the S coils like a sinister serpent. From every corner of the Big Apricot, citizens avert their eyes, hardly daring to whisper: Can this be ... Superman...

Author: /time Magazine | Title: Cinema: Goodness at the Crossroads | 6/13/1983 | See Source »

...human moment, and if Hanky Panky had 30 or 40 more of them it might have been a congenial little picture. It certainly would have been better if Gilda Radner had not decided that for her next impersonation she would do a romantic ingénue. She is, in lantern-jaw looks and brash spirit, unsuited to playing such a role straight and apparently unwilling to parody it. Wilder seems so embarrassed for her that he tries to do the acting for both of them, with results that strain his normally funny interpretation of the coward who finds...

Author: /time Magazine | Title: Cinema: Teaming Off | 6/7/1982 | See Source »

...befriended by three school-age children. "Poltergeist is a scream," Spielberg says. "E.T. is a whisper." The first film means to thrill, the second to enthrall. Both succeed beyond anyone's expectations, perhaps even those of their prodigious creator. They re-establish the movie screen as a magic lantern, where science plays tricks on the eye as an artist enters the heart and nervous system with images that bemuse and beguile...

Author: /time Magazine | Title: Cinema: Steve's Summer Magic | 5/31/1982 | See Source »

...show's characters do not much resemble the gray-suited, close-cropped, lantern-jawed, devout, straight-arrow white males preferred by longtime Director J. Edgar Hoover, who had iron control of the earlier series, personally approving every actor cast as an FBI agent to be sure he "looked the part." The ensemble includes a black recruited from military intelligence, played in the pilot by Charles Brown and afterward by Harold Sylvester; a smashing-looking woman psychologist who teaches pistol-marks-personship (Carol Potter); a salon-coiffed, hip-talking pretty boy (Joseph Cali); and a sarcastic, ever grinning preppie athlete...

Author: /time Magazine | Title: They Always Get Their Man | 11/9/1981 | See Source »

Also playing the Beantown Flick Circuit this weekend are The Magick Lantern Cycle and Ticket to Heaven at the Orson Welles and Sleeper, Friday on Channel...

Author: NO WRITER ATTRIBUTED | Title: Nietzsche's Doctrine of Eternal Recurrence | 10/29/1981 | See Source »

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