Word: lanterns
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...century has passed since Mrs. O'Leary's cow made her legendary kick at a lantern and touched off the Great Chicago Fire-time enough, one would think, to get the story straight. Now, in observation of the conflagration's Oct. 8 anniversary, the Chicago Association of Commerce and Industry has published a new version of what happened...
...trip to California with his girl friend. Some vans are fitted with primitive sinks and iceboxes; the 1969 Ford van owned by Ann Wasserman, 20, has a large table that used to be a tree stump. Ann's van also carries a cooler, a Coleman stove and lantern, and her boyfriend's motorcycle, which he rides ahead of the van on long trips. Other vans have kerosene lanterns, candles mounted on inner walls, and even potted plants. Charles Patton, 39, goes camping in a 1957 VW beetle that "some hippie kids" helped him convert into a plywood paneled...
...Magic Lantern. It was in a tiny room across the hall that the author spent his boyhood holidays. "Far from my mother and grandmother, my bedroom became the fixed point on which my melancholy and anxious thoughts were centered. Someone had had the happy idea of giving me, to distract me on evenings when I seemed abnormally wretched, a magic lantern ... it substituted for the opaqueness of my walls an impalpable iridescence, supernatural phenomena of many colours, in which legends were depicted, as on a shifting and transitory window." The lantern is still there. So is the scrubby garden behind...
...cinema fame in The Little World of Don Camilla (1951); of cancer; in Paris. His real name was Fernand Contandin, but he preferred "just one name. Like Napoleon." He won an amateur singing contest in 1928, eleven years later was voted the most popular screen personality in France. His lantern jaw and Grand Canyon grin once prompted Actor Sacha Guitry to inquire with impeccable Gallic politeness: "Has anyone ever told you, monsieur-how odd-that you look like a horse...
Nowhere does Dickens seem more modern than in his treatment of London. He prowled its streets at night so much during his lifetime that he found it hard to write without the inspiration of his "magic lantern," as he called the city. When he pulled the reader along, says Wilson, he brought the first "cinematic mobility" to the English novel: long tracking shots, like Oliver Twist's escapades in grimy alleys, where the scenes flash by like some satanic carnival; wide panoramas, like the scene in the brickyard in Dombey and Son, where the city lies on the horizon...