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Friends and acquaintances saw Fastow as a low-key family man. Attorney Robert Lapin, who has known him for a dozen years, calls him "modest, unassuming, not at all self-aggrandizing." At his temple, Congregation Or Ami, Fastow spent time helping shape some of the congregation's education programs along nontraditional lines. Says Rabbi Shaul Osadchey: "He was one of those people who could think outside...

Author: /time Magazine | Title: Speak No Evil | 2/18/2002 | See Source »

...Friends and acquaintances saw Fastow as a low-key family man. Attorney Robert Lapin, who has known him for a dozen years, calls him "modest, unassuming, not at all self-aggrandizing." At his temple, Congregation Or Ami, Fastow spent time helping shape some of the congregation's education programs along nontraditional lines. Says Rabbi Shaul Osadchey: "He was one of those people who could think outside...

Author: /time Magazine | Title: How Fastow Helped Enron Fall | 2/10/2002 | See Source »

...Guaranteed to be better than A World Without History, the first play by Kornhaber, who is also a Crimson editor, this production actually sounds hot. With what's purported to be a great ensemble cast this could be the best thing since Galileo or Picasso at the Lapin Agille...

Author: By Arts Staff, CRIMSON STAFF WRITER | Title: Fall Theater Part 2 | 10/13/2000 | See Source »

...quote MYself. In my play "Picasso at the Lapin Agile," Picasso says, "Men want and women are wanted." Ray wants Mirabelle - wants a specific part of her. But because he can?t admit that, because he denies his desire, he has to include all of it. It leads to this big charade, and that?s where all the harm comes from. Ray is trying to deny his guyness, trying to be more of a soulmate to someone. There?s a sincere part of Ray. It?s just qualified by his methodology...

Author: /time Magazine | Title: Interview: "Turn Around. I'm Now Sensitive." | 10/6/2000 | See Source »

...number of weeks ago, someone on the production staff of Picasso at the Lapin Agile made an interesting decision. Rather than using the standard Loeb Ex audience chairs, the production staff hauled up whatever seating material they could find in the HRDCs large props room-reclining chairs, sofas, pillow cushions. Artistically, the decision complimented the show nicely. Set in a cozy neighborhood bar, Picasso at the Lapin Agile invites the audience to share off stage the comfort and warmth that its characters find on stage. But from a larger perspective, the decision to make the audience as comfortable as possible...

Author: By David Kornhaber, CRIMSON STAFF WRITER | Title: Finding Death in the Drawing Room | 5/12/2000 | See Source »

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