Word: lara
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London: William Mader Paris: Thomas A. Sancton, Margot Hornblower Brussels: Jay Branegan Bonn: James O. Jackson Central Europe: James L. Graff Moscow: John Kohan, James Carney, Ann M. Simmons Rome: John Moody Istanbul: James Wilde Jerusalem: Lisa Beyer Cairo: Dean Fischer, William Dowell Beirut: Lara Marlowe Nairobi: Marguerite Michaels, Andrew Purvis Johannesburg: Scott MacLeod New Delhi: Jefferson Penberthy Beijing: Jaime A. FlorCruz Southeast Asia: Richard Hornik Tokyo: Edward W. Desmond, Kumiko Makihara Ottawa: Gavin Scott Latin America: Laura Lopez...
...feel so strongly we need to end homophobia but it's not going to happen by throwing around such potent labels," said Lara Freidenfelds '94, a Currier resident...
ASPEN'S TWIN PEAKS (ABC): Limited-run series. In the two-hour premiere, a lost skier, played by Kyle MacLachlan, goes for help, leaving his companion (Lara Flynn Boyle) in a cabin with only doughnuts to eat. She spends the next seven episodes hallucinating about a dancing dwarf (Jason Alexander). Directed by Jennifer Lynch...
London: William Mader Paris: Thomas A. Sancton, Margot Hornblower Brussels: Jay Branegan Bonn: James O. Jackson Central Europe: James L. Graff Moscow: John Kohan, James Carney, Ann M. Simmons Rome: John Moody Istanbul: James Wilde Jerusalem: Lisa Beyer Cairo: Dean Fischer, William Dowell Beirut: Lara Marlowe Nairobi: Marguerite Michaels, Andrew Purvis Johannesburg: Scott MacLeod New Delhi: Jefferson Penberthy Beijing: Jaime A. FlorCruz Southeast Asia: Richard Hornik Tokyo: Edward W. Desmond, Kumiko Makihara Ottawa: Gavin Scott Latin America: Laura Lopez...
...Lara Freidenfelds' Carmen was superb, considering the lack of dramatic support she got from the rest of her cast. Her voice was explosive throughout the first act, and she came through the famous "Habenera" with a spark of brilliance. Despite the weakness and discordance of the orchestra, she held the melody and retained the inflexions of the song. Unfortunately, her flair for the dramatic deteriorated slowly throughout the play. Teasing, seductive and convincing in the first act, her gestures and movement became less spirited and aimless by the final scene. Freidenfelds made an alluring and exciting Carmen...