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Franco's police, on special alert to head off the strike, arrested the Reds' mystery man, one "Jimenez Lara," on one of his underground trips into Spain. Most of the other 150 alleged "underground leaders" rounded up before the general strike were, however, non-Communist and Roman Catholic moderates who, though opposed to Franco, seek to disprove Franco's favorite propaganda line-"Either Franco or the Communists...

Author: /time Magazine | Title: SPAIN: The Communist Flop | 6/29/1959 | See Source »

There is no good reason to slip on down to the Brattle this week; any book would be easier going. The Red and the Black deals exam period diversion a death blow. Claude Autant-Lara has allowed himself to be carried away with the pathetic figure of a poor downtrodden peasant of the French Empire. He fails to recall that Stendahl saw Julien Sorel's answer to constricting French society as understandable, but not laudable. Sorel is no hero of the poor, he is simply the unfortunate...

Author: By Margaret A. Armstrong, | Title: The Red and the Black | 5/18/1959 | See Source »

...Whodunit Writer Georges Simenon furnished the novel (En Cas de Malheur) on which the film is based. Jean Gabin was hired to top the title. Actress Bardot was signed to bring up the rear in the box-office battle. And the slickest of the big French directors, Claude Autant-Lara (Devil in the Flesh, Rouge et Noir), has contrived to combine all these expensive, volatile elements into a smutty story that is technically very well told...

Author: /time Magazine | Title: Cinema: New Picture, may 4, 1959 | 5/4/1959 | See Source »

...springing full-blown from this same faulty technique is the book's most serious fault-lack of character development. The reader must constantly depend upon random statements by one character judging another for either of them to be illuminated. We are told that Lara (for Zhivago, the life-force) symbolizes the oppression of the 19th century and the hope of the 20th; but someone has to say it, for in the characterization of her words and deeds there is no indication of such a symbolic meaning...

Author: By John D. Leonard, | Title: Pasternak's Hero: Man Against the Monoliths | 2/2/1959 | See Source »

...Zhivago's first wife) rush onto the stage, whisper or shout their say, commit their little deeds and consider their situations, and the clamber back into the wings. Some, like Zhivago, are tangled in the threads of introspection; others don't appear to think at all. Does Komarsky help Lara out of a sense of guilt for having violated her, out of a real love, or what: What sort of person is Tonia? Why did Pasha really leave home? Unfortunately, we can't tune in tomorrow...

Author: By John D. Leonard, | Title: Pasternak's Hero: Man Against the Monoliths | 2/2/1959 | See Source »

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