Word: lardners
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Dates: during 1970-1979
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...Gingrich was a taste for good writing. At a time when Ernest Hemingway's stories were too unconventional for the Post, Gingrich admiringly sent him free slacks and a windbreaker, and got him as a regular contributor. For Esquire's first issue, Hemingway brought with him Ring Lardner Jr. and John Dos Passos. Gingrich believed that an editor edits best who edits least. Esquire's third element was sex-from the Petty and Varga pinups to harem cartoons- which got the magazine in early trouble with the postal authorities...
This may explain why such crafty old twirlers as Ring Lardner, James Thurber, Damon Runyon and P.G. Wodehouse spun tales about the sport. Usually they played it for laughs. Lardner's Alibi Ike dealt with a peculiar rookie, using comic vernacular: "I've heard infielders complain of a sore arm after heavin' one into the stand, and I've saw outfielders tooken sick with a dizzy spell when they've misjudged a fly ball. But this baby can't even go to bed without apologizin', and I bet he excuses himself...
Lovers of Hemingway. Fitzgerald, Wolfe, Lardner and company will devour Berg's book if for nothing more than the anecdotes about the writers. Though Berg adds little to the voluminous scholarship on these writers, there emerges from Perkins' letters and trivia a picture of the writers maintained over and over again that they didn't give a damn about what the critics said; but they always listened to Perkins' advice and--as the letters show--followed it closely. Perkins, of course, remained equally loyal to his writers, giving a seemingly limitless supply of encouragement, advice and advance money from...
...kicking around Hollywood for several years. Fourteen directors had been offered the property; all turned it down. Director number 15 was Robert Altman, a television refugee with one major picture (That Cold Day in the Park) to his credit. Altman decided to make the film, hired blacklisted writer Ring Lardner, Jr. to do the screenplay, and produced a brilliant black comedy that was a tremendous critical and popular success. M*A*S*H* took the Grand Prize at the 1970 Cannes Film Festival, earned Lardner a screenwriting Oscar, and was nominated for the Best Picture Academy Award...
...Heaven for anything other than an American movie. Malick's ability to capture the terror in plain, homespun settings recalls the spooky vistas of Painter Edward Hopper. The film's naive narration-recited in deadpan colloquialisms by the teen-age Linda-is right out of Ring Lardner's sardonic stories. In the tradition of these other native ironists, Malick keeps his distance from his material. Though built around a heartbreaking love triangle, Days of Heaven has no introspective dialogue and no Freudian fireworks. Accordingly, actors have been cast more on the basis of how they look than...