Word: largest
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Dates: during 1980-1989
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...prospect of seeing Hoffman on stage as Shylock -- or perhaps as anything at all -- prompted Londoners to buy out essentially the entire four-month run of The Merchant of Venice, giving the play the largest advance sale of any nonmusical show in West End history. For once the actual event is no disappointment, although in director Peter Hall's shrewd reading the play is more comedy than tragedy and focuses more on Portia (played by Geraldine James of TV's The Jewel in the Crown) than on Shylock...
...with mock concern that 'Pat McIntosh called again to say the sun was acting kind of strange.' Then she would burst out laughing." Last week, as the story was going to press, the sun graciously cooperated by ejecting a huge arch of gas that some astronomers pronounced the largest explosion they have ever witnessed. That's the kind of message Nash appreciates...
...just a bizarre mixture of cultures. There are evidently cultures where it is considered basically good etiquette to keep your left-turn signal on at all times. Then there are people who feel it's important to buy the largest possible car, the kind you can land aircraft on top of with no problem, and they drive them incredibly slowly. At the same time, there are people who cannot imagine going less than 70 m.p.h., including in their driveways. Then the politics here is amazing. I mean, we have rallies here for the right to sacrifice chickens...
Some investors nonetheless expressed outspoken support for the deal. Said Gordon Crawford, a money manager at the Los Angeles-based Capital Group, the largest institutional owner of Time shares: "If you put Time and Warner together, you have what I think will be the greatest media and entertainment company in the world. I would rather be a long-term owner than cashed out of one of the world's most exciting companies at $175 a share." Concurred Kendrick Noble, who follows media companies for the Paine Webber investment firm: "After all the smoke blows away and we can look...
...under Ivan Reitman's determinedly casual direction, very loosely organized. They amble agreeably, but not necessarily hilariously, from one special-effects sequence to the next. These are not better, worse or even different from the original's trick work, and their lack of punctuating surprise is the film's largest problem, especially at the shamelessly repetitive climax...