Word: larghetto
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...danced with the orchestral accompaniment. The BachSoc really came through in this piece with a rich sound and excellent dynamic interpretation throughout. Even with a star soloist on stage, the orchestra excelled as a presence and was undaunted by the difficult task that it undertook. The second movement, Larghetto, deserves special mention for Chuang’s touching melodies, supported by the orchestra’s delicate and appropriate harmonies...
...from the trumpets heralding the arrival of a multitude of entrances from all sections of the orchestra. Mimicking the bustle of springtime with trilling ornamentation and a robust tone, the Berlin Symphony Orchestra lost none of the momentum it received with Derek Han's performance; even the more placid Larghetto was imbued with the anticipation of motion and activity to be delivered in ensuing Scherzo. At the piece's conclusion, Joseph Silverstein returned three times to receive the praise of his listeners, a handful of whom stood to applaud the orchestra and its smiling conductor...
...became appropriately subdued and careful throughout the delicate contours of the Larghetto. His conducting finally matched the group's intensity. In the Finale, Metamorphosen exercised a wondrous dynamic range with flawless control. Unfortunately, the same cannot be said for the tempi; the most glaring discrepancy occurred as the group handily beat Yoo to the recapitulation of the first movement's main theme...
...assembly line. He payed little attention to the orchestra, which had difficulty adjusting to the soloist's rhythm. In the second movement, Starker finally shed his coldness, swaying his body to listen to the concertmaster and moving his eyebrows as he explored the beauty of Vivaldi's larghetto. In the final movement Starker relapsed, although he played with more feeling than he had in the first movement...
...final work, Piano Sonata No. 2 in E-flat by Allan Sapp, was played by the composer. The movements are: Larghetto, Allegro Molto, Andantino, and Allegro. This is an intensity about it that commands attention. Something is being said that is worth listening to, particularly in the faster movements, where brilliant figurations and subtle rhythms sustain a motion that has few lapses. The slower sections are less interesting, the Larghetto being the least successful of the movements. The Andantino, quiet and comparatively consonant, is sometimes a little too sweet and sometimes a bit irrelevant. On the whole, though, the Sonata...