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...first act is full of thematic highs and lows, and Larissa Ponomarenko expresses all of the story’s drama in her portrayal of Giselle: love, betrayal, and forgiveness. Her powerful performance throughout the show, and particularly in this first act, demonstrates not only a precise technique, but also an exquisite lyricism...

Author: By Giselle Barcia, CRIMSON STAFF WRITER | Title: ARTSMONDAY: Graceful, Lyrical ‘Giselle’ Shines at Boston Ballet | 5/13/2007 | See Source »

...Larissa Koch ’08 never planned to dance at Harvard. Koch had attended performing arts middle and high schools, but by the time she was ready for college, Koch thought that her dance career was over. “With performing arts schools you choose to dance or you choose to go to school, and I thought ‘Okay, well, I chose college,’” says Koch.Koch had didn’t dance at all during the summer between her senior year and her matriculation at Harvard, but when she arrived...

Author: By Anjali Motgi, CONTRIBUTING WRITER | Title: Larissa Koch '08 | 5/2/2007 | See Source »

Click on a name to view a profile of that OFA medal winner! Mark P. Musico '07 Nicole A. Salazar '06-07 Joshua M. Brener '07 Michael B. Hoagland '07 Stefan P. Jackiw '07 Blase E. Ur '07 Larissa Koch...

Author: By The crimson arts staff , CRIMSON STAFF WRITER | Title: MAGNIFICENT SEVEN | 5/2/2007 | See Source »

...Bach Suite” also provided one of the most spectacular performances of the night. Not only did Larissa D. Koch ’08 contribute an absolutely exquisite choreography, but the dancers also delivered an equally enchanting performance...

Author: By Giselle Barcia, CRIMSON STAFF WRITER | Title: ARTSMONDAY: ‘Bravura and Blues’ a Lovely Ballet Show | 4/29/2007 | See Source »

...dancers from wooden blocks and topped by an illuminated, reflective sphere. The lights dim with the dancers intensely focused on this shining ball of light, creating a striking final image. The following performance is the premiere of “Dystonic: Trio,” a work choreographed by Larissa D. Koch ’08. The piece begins with a virtuosic interpretation of one of Max Reger’s Suites for Solo Cello by Bong Ihn Koh ’08. Although Koh’s excellent cello playing is a hard act to follow, the choreography demonstrates...

Author: By Rachel M. Green, CONTRIBUTING WRITER | Title: 'Viewpointe' Provides New Perspective on Dance | 2/26/2007 | See Source »

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