Word: lark
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Dates: during 1950-1959
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...seasonal strawberry pickers, and their way of life might be called Rabelaissezfaire. When Pop vents his heroic belches, he sounds like Charles Laughton playing Henry VIII. Pop is little seen in the strawberry fields, for he roams the countryside on a spivishly freewheeling enterprise called "the scrap iron lark," which nets him a 600% profit, a margin Pop regards as "perfick." Spacious, sportive Ma Larkin furnishes a groaning bed and board, fills her voluminous pink nylon nighties like two nudes by Rubens. Wed only in the sight of the common law. Ma and Pop have six children, only...
...last week unmarked planes ranged the Molucca and Celebes Seas, the Strait of Makassar, the Banda Sea and the Djailolo Passage. At Amboina the Italian freighter Aquila was bombed and sunk, the Greek ship Armonia strafed, the Panamanian Flying Lark left with nine dead. On the open seas an Indonesian merchant ship, recently purchased from the Soviet Union, was riddled, and its Russian captain broadcast a frantic S O S to Djakarta, reporting five dead...
...practicing C.P.A. until 1933, Producer Bloomgarden has a good record for picking hits (The Lark, Death of a Sales man, Command Decision), but he has had his flops too. His basic criterion for picking: "I have to like it. It's a terrible thing to do a show just because you think it's going to make a million bucks...
Back in the U.S., he had a fling at Hollywood again (26 frustrating weeks under a writer's contract), but began to hit his stride on Hallmark with his adaptations of Cradle Song and The Lark. But Little Moon, exuberantly greeted by most U.S. TV critics last week, seemed to mark a big upturn in Costigan's career. In it he grappled compassionately with "those forces in life that make it difficult or impossible," qualified as the kind of writer once described by Pascal in a line that Costigan likes to quote: ''I most admire those...
...makes him almost unique in the world of commercially successful contemporary theater. His Time Remembered creates a light, slightly mad, slightly ethereal atmosphere which, if rather insubstantial in itself, sets up countless brilliant little touches--situations, moments, gestures, speeches. The play is not in itself as successful as The Lark, or as Thieve's Carnival or Toreadors, both of which it mildly resembles in tone. Yet the present production adds considerable creativity to the script, and makes the show as a whole very nearly live up to the high standards of interest expected of Anouilh...